Sökning: "Loudness"

Visar resultat 1 - 5 av 43 uppsatser innehållade ordet Loudness.

  1. 1. Starkare ljud, mer intressant? : En kvalitativ studie hur musikproduktionsstudenter påverkas av starkt ljud i hörlurar

    Kandidat-uppsats, Högskolan Dalarna/Institutionen för kultur och samhälle

    Författare :Malin Mattsson; [2024]
    Nyckelord :Loudness; Loudness war; industriell techno; ljudtest; ljudstyrka; musikstudenter; enkäter;

    Sammanfattning : Under en längre tid har fenomenet ”loudness war” varit föremål för omfattande diskussioner. Trots detta finns en begränsad mängd information angående musikproduktionsstudenters syn på stark musik, inom olika genrer ur ett kvalitativt perspektiv. LÄS MER

  3. 2. Audibility & Preference of DA Overload Associated with True Peak : Investigation of claims made against overload prevention

    Kandidat-uppsats, Luleå tekniska universitet/Musik, medier och teater

    Författare :Mattias Strand; [2023]
    Nyckelord :true peak; mastering; inter-sample; intersample; peaks; peaking; overload; digital to analog; da; loudness; clipping; truncation; square wave;

    Sammanfattning : The conversion of audio from the digital to analog domain has the potential to result in distortion due to converter overload. This occurs because some peaks in the signal cannot be defined digitally and only become problematic during the conversion into the analog domain, exceeding the level that can be represented by the converter, causing it to overload. LÄS MER

  4. 3. A NEW APPROACH AND GUIDLINE FOR LOUDNESS IN GAME AUDIO : Developing Specific Loudness Standards for Each Section of Game Audio

    Magister-uppsats, Högskolan i Skövde/Institutionen för informationsteknologi

    Författare :Leshan Wang; [2023]
    Nyckelord :loudness; loudness standard; game audio; immersion; audio design; dynamic range;

    Sammanfattning : Audio plays a crucial role in the immersive and emotional experience of playing videogames, and loudness is a key aspect of game audio that can greatly impact player engagement and immersion. There are existing loudness standards such as AES-EBU R128, which is mostly commonly used by social media platforms such as YouTube and Spotify. LÄS MER

  5. 4. The Impact of Different Monitoring Levels For Listeners' Ability to Detect Dynamic Range Compression in Popular Music

    Kandidat-uppsats, Luleå tekniska universitet/Institutionen för ekonomi, teknik, konst och samhälle

    Författare :Joakim Olofsson; [2023]
    Nyckelord :monitoring; monitoring levels; compression; mixing; compressor; limiter; mastering; loudness; lyssning; lyssningsnivå; kompression; mixning; kompressor; limiter; mastering; loudness;

    Sammanfattning : There are many useful guidelines and theories to be found on mixing and mastering. One of these statements is that the monitoring level affects how well one can detect and evaluate the Dynamic Range Compression (DRC) when mixing. LÄS MER

  7. 5. Music Preferences, Perceived Loudness, and Preferred Listening Levels : An investigation of sound level preferences for live sound reinforcement in Swedish free churches

    Kandidat-uppsats, Luleå tekniska universitet/Institutionen för ekonomi, teknik, konst och samhälle

    Författare :Petrus Ericson; [2022]
    Nyckelord :Sound levels; live sound reinforcement; loudness; music preference; hearing impairments; sound level tolerance; church; congregation; mix philosophy; sound balance; role of sound; worship; worship music; Ljudvolym; ljudstyrka; musikpreferens; hörselskada; balans; kyrka; lovsång; kyrkomusik; församling; Pingstkyrkan;

    Sammanfattning : Sound levels in live sound reinforcement have long been a topic for debate in live concerts, but the subject is also important elsewhere. Swedish Christian free churches have also struggled for many years to optimize how sound reinforcement can serve the community. LÄS MER