Sökning: "musik"

Visar resultat 1 - 5 av 2768 uppsatser innehållade ordet musik.

  1. 1. Prayer and Preaching through the Organ. Performing Settings of Vater Unser im Himmelreich from Luther’s Germany, 1624-1739

    Master-uppsats, Göteborgs universitet/Högskolan för scen och musik

    Författare :Anna Steppler; [2017-03-06]
    Nyckelord :Chorale setting; Lutheran theology; musical interpretation; Samuel Scheidt; rhetoric; Jakob Praetorius; Georg Böhm; Johann Sebastian Bach;

    Sammanfattning : This project explores organ settings of Luther’s Catechism chorale Vater Unser im Himmelreich from the seventeenth- and eighteenth- centuries as a means to consider the contemporary concept of ‘preaching’ through the organ. Through an exploration of Lutheran theology associated with the Lord’s Prayer, it attempts to arm the modern performer with a deeper understanding of the rhetorical message conveyed by these settings, thus aiding in the creation of an appropriate affektive performance and response today. LÄS MER

  2. 2. Koloskopi: En obehaglig upplevelse – En litteraturöversikt om interventioners effekt på oro och smärta

    Kandidat-uppsats,

    Författare :Frida Ungerfält; Miriam Sünder; [2017-02-13]
    Nyckelord :Koloskopi; Intervention; Patientupplevelser; Litteraturöversikt;

    Sammanfattning : Bakgrund: En koloskopi innebär för många patienter en obehaglig upplevelse. Patienterbeskriver bristfällig information och kommunikation samt oro och smärta som negativafaktorer som påverkar upplevelsen. LÄS MER

  3. 3. THE MOUSE THAT ROARS” : An exploration of the roles and functions of the piccolo flute in Shostakovich Symphonies No. 4, No. 5 and No. 10 through historical and political context.

    Master-uppsats, Göteborgs universitet/Högskolan för scen och musik

    Författare :Helen Benson; [2017-02-10]
    Nyckelord :Dimitri Shostakovich; War Symphonies; piccolo flute; auxiliary woodwind instrument; musical role; musical function; technical challenges; solo role; piccolo duo; orchestration; instrumentation; instrumental development; timbre; sonority; Soviet Union; Josef Stalin; Communist Party; Russian revolution; Tsar autocracy; The Great Purge; formalism; Soviet Realism; historical and political context;

    Sammanfattning : After outlining my personal goal and interest with the chosen subject, I will explore the historical and compositional development of the piccolo in the orchestra by giving examples of several different composers and works and by listing the primary roles and functions of the piccolo as used in the eighteenth and nineteenth centuries. I will then focus on Shostakovich’s use of the piccolo, detailing both the technical challenges piccolo-players face with his symphonic writing and the multitude of musical roles and functions given to the instrument. LÄS MER

  4. 4. Learning to listen to myself: performing as a conscious act

    Master-uppsats, Göteborgs universitet/Högskolan för scen och musik

    Författare :CÉSAR VÁZQUEZ LUPIÓN; [2017-02-06]
    Nyckelord :Awareness; intonation; sound quality; influence of feelings in performance; performing; practising; violin;

    Sammanfattning : For me, as a violin player, it is very important to develop my listening skills when practising and performing. By listening to my playing, I can get instant feedback concerning the parameters of intonation, sound quality and even bow technique. LÄS MER

  5. 5. Om provokation – Oseriös musik möter seriös politik: Fallet Philemon vs Grammis 1972

    Master-uppsats, Göteborgs universitet/Institutionen för litteratur, idéhistoria och religion

    Författare :Ralf Rotmalm; [2017-01-31]
    Nyckelord :provokation; det oseriösa; musik; motkultur; kritik; Agamben; användande; anordningar; skratt; Bachtin; Spivak; språk; filosofi; idéhistoria;

    Sammanfattning : The essay deals with a specific case of provocation in the Swedish music counter-culture of the 1970’s, where, in 1972, a few representatives of said movement – due to the apparent popularity of their actively non-mainstream music and the records released on their fully independent labels – were invited into the jury of the nascent Swedish Grammy Awards (Grammisgalan), at the time only four years old. With their anti-capitalist revolutionary marxist ideas these historical actors were determined to destroy all signs of bourgeois values, in this case regarding popular music. LÄS MER

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