Sökning: "synaesthesia"
Visar resultat 1 - 5 av 11 uppsatser innehållade ordet synaesthesia.
1. Synaesthesia and Visual Music in Swedish Silent Film
Master-uppsats, Stockholms universitet/FilmvetenskapSammanfattning : This thesis examines how visual music in Swedish silent film served as an allusion to sound, either as a cinematic effect or as an intertwined part of the film narrative. Drawing on the concepts of synaesthesia and visual music, a discussion on how both concepts relate to each other serves as the key method for analyzing a selection of films. LÄS MER
2. På Jakt Efter Teaterns Smak Och Dramats Arom : En Studie Om Sinnena Och Synestesi Som Pedagogisk Resurs Inom Drama- Och Teater-Estetiska Lärprocesser
Kandidat-uppsats, Stockholms universitet/Institutionen för ämnesdidaktikSammanfattning : Denna kvalitativa studie undersöker sinnena och synestesi som pedagogisk resurs inom det drama-och teaterpedagogiska fältet. Covid-19-restriktionerna under 2020/21 ledde till anpassningar i studien där empiri från fysiska träffar föll bort. LÄS MER
3. ANIMAL QUALIA AND NON-ANTHROPOCENTRIC NARRATION IN BARBARA GOWDY’S THE WHITE BONE : PROBLEMATIZING NONHUMAN EXPERIENTIALITY THROUGH ENVISIONMENTS IN THE EFL CLASSROOM
Uppsats för yrkesexamina på avancerad nivå, Linnéuniversitetet/Institutionen för språk (SPR)Sammanfattning : This thesis examines nonhuman phenomenological experiences, communication, and sensory perception in Barbara Gowdy’s The White Bone. Drawing on literary and pedagogical theories by Roman Bartosch, Monika Fludernik, Marco Caracciolo, David Herman, and Judith Langer, the thesis argues that Gowdy’s novel employs narrative strategies and devices that involve nonhuman experientiality evoked from sensorial configurations, narration, and textual cognitive and embodied experiences. LÄS MER
4. Experientiality and Sensorial Gesamtkunstwerk in William Faulkner’s The Sound and the Fury
Master-uppsats, Linnéuniversitetet/Institutionen för språk (SPR)Sammanfattning : This thesis examines the semiotic experiences in William Faulkner’s The Sound and the Fury from a reader perspective by analyzing in what ways sensorial gesamtkunstwerk is used to convey or evoke sensations that appeal to the reader on a cognitive level. Drawing from Marco Caracciolo’s theories on experientiality which operate under the assumption that an evoked feeling from a text is dependent on the reader’s familiarity with their emotions and senses, this thesis claims that the bridge between narratological (textual) experiences and the reader’s experiences in the novel is made possible through sensorial aesthetics that appeal to our sensory modalities and that operate in a gestalt fashion to form a sensorial gesamtkunstwerk. LÄS MER
5. Does Attentional Processes Modulate Bimodal Interference in V-EAR Synaesthesia?
Kandidat-uppsats, Lunds universitet/Institutionen för psykologiSammanfattning : Even though the prevalence of synaesthetic-like ‘Visually-Evoked Auditory Responses’ (V-EAR) in the general population is probably immense by all standards, it is hardly ever mentioned in the literature on general synaesthetic phenomena. We decided to try to reproduce earlier findings that about 1/5 experience motion-conjured sound percepts. LÄS MER
