Sökning: "Cinema history"

Visar resultat 1 - 5 av 71 uppsatser innehållade orden Cinema history.

  1. 1. EXTREME, SPECTACULAR AND HORRIFIC A qualitative film analysis of affective strategies in extreme horror via Terrifier 2

    Master-uppsats, Göteborgs universitet/Institutionen för kulturvetenskaper

    Författare :Iris Landar Lygren; [2023-12-20]
    Nyckelord :Horror; film studies; spectatorship; extreme cinema; Terrifier 2; extreme horror;

    Sammanfattning : During the year of 2022 the film Terrifier 2 was shown in theaters all over the western world. This film was not supported by any larger production companies, but was partly crowdfunded. The film combines elements from the 1980s slashers and the Extreme Cinema tradition and contains 2 hours and 18 minutes packed with gore. LÄS MER

  3. 2. "Frozen Tears" : A Study of Representaions of Masculinity in Three Egyptian Movies

    Magister-uppsats, Malmö universitet/Institutionen för konst, kultur och kommunikation (K3)

    Författare :Nesma Hewidy; [2023]
    Nyckelord :masculinity; representation; Egyptian cinema; social role theory; patriarchal society;

    Sammanfattning : This thesis examines representations of masculinity in the following Egyptian movies: El Badla (2018), Welad Rizk 2 (2019) and Taymour w Shafika (2007). Each movie is from a different genre to further explore how this may influence the constructed representation of masculinity. The genres are comedy, action and romance. LÄS MER

  4. 3. Anita: The Story of a Bad Film : The cultural life of Torgny Wickman’s 1973 sex film

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Jason Carter; [2023]
    Nyckelord :Anita; Torgny Wickman; Swedish Sin; Cult Film; Sex Film; Pornography; Swedish film heritage;

    Sammanfattning : Anita  (Torgny Wickman 1973) is a typical example of a film produced as part of a wave of Swedish softcore sex films created with an eye on the substantial overseas profits to be made in market curious to witness onscreen Swedish Sin.  Following an extremely brief and limited release in Sweden the film disappeared from popular cultural perception until resurfacing in the late 1990s as an object of nostalgic cult curiosity. LÄS MER

  5. 4. Alltid med en fot i filmhistorien : Coenbröderna i skärningspunkten mellan genrefilm och auteurfilm

    Kandidat-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

    Författare :Charlotte Nordangård; [2023]
    Nyckelord :Coen; auteur; auteurteori; genre; screwballkomedi; film noir; västernfilm; genrekonventioner; genrehybridisering; konstfilm; intertextualitet; Indiewood;

    Sammanfattning : The aim of this thesis is to study the films of the Coen brothers at the intersection of the auteur film and the genre film, by conducting a literature review of the current research on their films. By means of a hermeneutic approach, mainly focusing on the term of genre, four major themes have been established based on the literary review: genres and conventions, hybridization of genre, other art cinema features, and the spectator as auteur. LÄS MER

  7. 5. ZAHRTMANN OCH KVINNORNA : En genusanalys av Kristian Zahrtmanns historiska kvinnoportrtätt.

    Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Tindra Frelin; [2023]
    Nyckelord :Kristian Zahrtmann; historiemåleri; genus; dansk modernism;

    Sammanfattning : During the 19th and early 20th century, a time where the woman’s primary role was the mother, Kristian Zahrtmann’s distinctive history paintings were on the contrary often fronted by strong female subjects. Not only did he paint historical women who had peculiar lives, but he allowed them to take on complex gender roles during a time where women’s lives were tightly restricted by domestication and beauty. LÄS MER