Sökning: "Dziga Vertov"

Hittade 2 uppsatser innehållade orden Dziga Vertov.

  1. 1. Att tala i ord och bild: : Den audiovisuella essäns historiska utveckling

    Kandidat-uppsats, Högskolan Dalarna/Bildproduktion

    Författare :Pascal Wellton; [2019]
    Nyckelord :film poetics; essay; audio visual essay; essay film; video essay; historical poetics; Dziga Vertov; Alain Resnais; Lindsay Ellis; man with a movie camera; tout la mémoire du monde;

    Sammanfattning : The audio visual essay, or ”film/video essay” as it might be better known, has in recent years started to enjoy a level of popularity previously unseen in its long and obscure history; encouraging a proper reexamination of the genre through the years, to see how it has developed and changed throughout its lifetime to finally arrive at where it is today. With a lineage stretching back across the centuries, through to the 16th -century writings of Michel de Montaigne, the essay format, either as it manifests in the traditions of literature or the audio visual mode, is a curious form of expression, preferring an indirect route towards knowledge, marked by quandary, reflection, the trying and retrying ideas in a process built around the act of searching. LÄS MER

  2. 2. Rörelse, fart, kollision : Om förhållandet mellan Erik Asklunds och Josef Kjellgrens 1930-talsprosa och den sovjetiska montagefilmen

    Master-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Johan Klingborg; [2016]
    Nyckelord :intermedialitet; ikonicitet; film; litteratur; modaliteter;

    Sammanfattning : While the influence of the film medium on modernist literature has been well established along with the increase of intermediality studies, and although the new generation of Swedish authors in the 1930s expressed fascination for the moving pictures, the interrelation between film and literature within the Swedish literary context has gained surprisingly little scholarly attention. On that account, this study sets out to explore the early 1930s prose works of Erik Asklund and Josef Kjellgren, in relation to a film movement particularly admired by them and their Swedish contemporaries – namely, the Soviet montage cinema. LÄS MER