Sökning: "Emperor Napoleon"
Hittade 3 uppsatser innehållade orden Emperor Napoleon.
1. The long shadow of the emperor: fear and British press during the Napoleonic Wars (1795 - 1815) : A quantitative study on the history of the emotions
Master-uppsats, Uppsala universitet/Historiska institutionenSammanfattning : "The long shadow of the emperor: fear and British press during the Napoleonic Wars (1795 –1815)” was a master thesis that combined the history of emotions with the use of quantitative computational techniques. The main objectives of the project were to detect and analyse the fear around the figure of Napoleon Bonaparte in the British press, between 1795 and 1815, and to check the feasibility of the proposed quantitative techniques for the history of emotions. LÄS MER
2. Ett diadem och dess ikonografi : En studie av kejsarinnan Josephines pärl- och kamédiadem i porträtt mellan 1812 och 2010
Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionenSammanfattning : The main purpose of this study of a pearl and cameo diadem, given by Napoleon to his first wife Josephine in 1809, is to follow its representation in portraiture from Paris in 1812 to Stockholm in 2010, and explore how the iconography develops during these 200 years. From the earlier years, the diadem is found only in miniatures, then after coming to the new royal family in Sweden, the Bernadottes, it is given a role of an heirloom representing history and families in grand paintings, arriving to the present well-known wedding hairpiece, covered by modern media, where the diadem is more of a crown than the open, forehead-covering piece of fashion jewellery it was during the Napoleonic era in France. LÄS MER
3. Diadem och identitet : En studie kring identiteter i kejsarinnan Josephines pärl- och kamédiadem
L2-uppsats, Uppsala universitet/Konstvetenskapliga institutionenSammanfattning : This paper, on the identities shown in one of the cameos in Empress Josephine’s pearl and cameo diadem, has first of all focused on the mythological characters, and thereafter raised the question if these are to be seen as an allegory for people from the time. The process of identi-fication has followed the three levels in Panofsky’s method for analysing art, where the first and second levels consist of already known material from the Bernadotte Library, Royal Palace in Stockholm and the jeweller house of Chaumet (former Nitot et Fils) in Paris. LÄS MER