Sökning: "Gesamtkunstwerk"

Visar resultat 1 - 5 av 7 uppsatser innehållade ordet Gesamtkunstwerk.

  1. 1. Synaesthesia and Visual Music in Swedish Silent Film

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Gustav Ribbing Lygon; [2023]
    Nyckelord :Silent Film; Synaesthesia; Visual Music; Gesamtkunstwerk; Photogénie; Gesture; Symbolism; Correspondences;

    Sammanfattning : This thesis examines how visual music in Swedish silent film served as an allusion to sound, either as a cinematic effect or as an intertwined part of the film narrative. Drawing on the concepts of synaesthesia and visual music, a discussion on how both concepts relate to each other serves as the key method for analyzing a selection of films. LÄS MER

  2. 2. Des pieds de la croix à l’art total : Etude des représentations de l’Eglise et de l’art sacré à travers l’ekphrasis huysmansienne

    Master-uppsats, Linnéuniversitetet/Institutionen för språk (SPR)

    Författare :Yann Batto; [2023]
    Nyckelord :Huysmans; ekphrasis; hypotyposis; sacred art; catholic novels; plainchant; architecture; intermediality; Gesamtkunstwerk; medievalism; Huysmans; ekphrasis; hypotyposes; art sacré; romans catholiques; plain-chant; architecture; intermédialité; Gesamtkunstwerk; médiévalisme;

    Sammanfattning : The term "ekphrasis" is indisputably problematic. In fact, depending on which definition one might use ekphrastic processes can either be broad, that is extended to any type of description as it was taught in rhetoric treaties during antiquity, or according to its modern definition circumcised to literary representations of works of art. LÄS MER

  3. 3. Säffle Stadshus : En undersökning av hur stadshusfunktionen gestaltats i byggd form i Sveriges yngsta stad.

    Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Ella de Verdier Hallén; [2022]
    Nyckelord :Art History; Architecture; modernism; functionalism; Town Hall; City Hall; Gesamtkunstwerk; Sweden; Saffle; Nils Einar Eriksson; Axel Larsson; Rudolf Persson; Ethel Halvarsson; Ragnar östberg; Gunnar Asplund; 1900s; 1950s.; Konstvetenskap; arkitektur; stadshus; rådhus; kommunalhus; funktionalism; Säffle; totalkonstverk; allkonstverk;

    Sammanfattning : This essay aims to study and analyse the Town Hall of Saffle built in 1954, by the architect Nils Einar Eriksson. For the architectural analysis, the exterior and interior of the building is examined, with the purpose to study its correlation to the historical background of the building category, as well as to the development of functionalism seen in Swedish architecture at the time. LÄS MER

  4. 4. Zur Intertextualität und Intermedialität in Günter Grass’ Die Rättin : Das Märchen im Zeitalter seiner dystopischen Reinszenierbarkeit

    Magister-uppsats, Högskolan Dalarna/Institutionen för språk, litteratur och lärande

    Författare :Lisa Maria Ley; [2021]
    Nyckelord :Günter Grass; Walter Benjamin; Intermedialität; Intertextualität; Reproduzierbarkeit; Dystopie; Umweltkatastrophen; Erzählperspektiven; Vergegenkunft; Märchen;

    Sammanfattning : This study focuses on the elements of intertextuality and intermediality in the novel Die Rättin by Günter Grass. It is an attempt to place the text in a context of literary theory and contemporary society as well as in a deeply rooted tradition of storytelling that feeds the author’s inspiration and motivates a continuous dialogue between different works of fiction. LÄS MER

  5. 5. "Färgformer strömma i harmoni till varandra" : En undersökning i rörelseuttryck i Otto G. Carlsunds måleri

    Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Nils Sjölin; [2020]
    Nyckelord :Otto G. Carlsund; Rörelse; Maskin-estetik; Kubism; Purism; Ballet Mécanique; Viking Eggeling; Fernand Léger; Ikonologi; Konstruktivism; Dadaism; Gesamtkunstwerk;

    Sammanfattning : This essay aims to examine the manifestations of physical movement in two paintings by the Swedish modernist Otto G. Carlsund and to show aesthetic similarities to other modernist artists of the 1920s avant-garde. LÄS MER