Sökning: "Hip hop affects"

Hittade 3 uppsatser innehållade orden Hip hop affects.

  1. 1. Shopping for an I : Consumer identities in The Bluest Eye by Toni Morrison and The Hate U Give by Angie Thomas

    Master-uppsats, Linnéuniversitetet/Institutionen för språk (SPR)

    Författare :Alexandra Torsell Starud; [2019]
    Nyckelord :Postcolonialism; Intersectional; BLM; Consumerism;

    Sammanfattning : This thesis investigates to role consumerism plays when young, black, underclass characters try to build their identities in Toni Morrison’s The Bluest Eye (1970) and Angie Thomas’ The Hate U Give (2017). Through implementing intersectional analysis and postcolonial theory this essay discusses how social positions are read and understood in a mass culture that heavily favours the visual. LÄS MER

  3. 2. Promotionsarbete med unga i förorten : - En kvalitativ fallstudie av RGRA, Rörelsen gatans röst & ansikte

    Kandidat-uppsats, Institutionen för socialt arbete (SA)

    Författare :Annika Abelli; [2013]
    Nyckelord :promotive social work; integration; hip hop; leisure engagement; social work with adolescents; Promotionsarbete; integration; hiphop; fritidsaktivitet; ungdomsarbete;

    Sammanfattning : This studie explores how a promotive youth movement that aims to activate adolescents in economically and socially exposed areas, can affect the youth’s participation in society and oppose their experience of stigmatization. The youth movement, whom is being studied, uses urban art expressions as a mean to engage and motivate the adolescents. LÄS MER

  4. 3. Being Real By Being Me: Authenticity Production and Consumption Between an Independent Artist and Her Musical Followers

    Master-uppsats, Lunds universitet/Avdelningen för etnologi

    Författare :Andrea Dankic; [2012]
    Nyckelord :underground and commercial; authenticity construction; authenticity; relationship between artists and audience; fans; skills; artist identity; oscillation between the online and offline contexts; Cultural Sciences;

    Sammanfattning : ‘Keeping it real’ is a common expression of authenticity in the music business, especially in subcultures such as hip-hop and reggae. By examining the dialogically constructed authenticity between an independent hip-hop and reggae artist and her audience referred to as musical followers which takes place on a stage oscillating between web-based and non web-based contexts, this thesis investigates how this authenticity informs and influences the processes of music creation, art production and artist identity. LÄS MER