Sökning: "Music Piracy"

Visar resultat 1 - 5 av 32 uppsatser innehållade orden Music Piracy.

  1. 1. Does blockchain change the music industry in a digital era? : A perspective from copyrights and how it could equitably distribute the royalties and how it can enhance the protection of the rightsholders

    Magister-uppsats, Uppsala universitet/Juridiska institutionen

    Författare :Giancarlo Jorge Giraldo Agurto; [2020]
    Nyckelord :blockchain; copyrights; music royalties;

    Sammanfattning : The digital technologies advances are growing day per day, many of them are here to give us a new perspective and help us to do many things productively and efficiently. In the last years, there is considerable debate throughout how we can implement the new technologies and how they will transform the use of intellectual property rights. LÄS MER

  3. 2. The digital transformation of the music industry through applications of blockchain technology

    Master-uppsats, KTH/Skolan för elektroteknik och datavetenskap (EECS)

    Författare :Davide Sciaky; [2019]
    Nyckelord :;

    Sammanfattning : Since its introduction in 2008, the blockchain technology has been hailed as the one that could revolutionise many different industries. The music industry underwent several changes in the last 20 years as a consequence of phenomena such as music piracy, digital music and music streaming. LÄS MER

  4. 3. The quest to cut through the noise: Exploring the rationale of Artist - Record Label Collaboration in a transformed industry

    D-uppsats, Handelshögskolan i Stockholm/Institutionen för företagande och ledning

    Författare :Nellie Bössa; Linda Lehto; [2019]
    Nyckelord :Creative Industry Organizations; Strategic alliances; Complementary assets; Governance mechanisms; Music industry;

    Sammanfattning : Since its inception, the music industry has been characterized by collaboration between artists and record labels, i.e. strategic alliances. With the emergence of digitalization, the conditions for this collaboration have changed, the option to produce and publish music independently inducing an explosion of independent artists. LÄS MER

  5. 4. IFPI : A Postcolonial Critique of the Trade Body’s Organisational Structure and Ideology

    Kandidat-uppsats, Linnéuniversitetet/Institutionen för musik och bild (MB)

    Författare :Andreas Wallin Hageving; [2019]
    Nyckelord :Africa; Afrobeats; Afropop; Apartheid; Global Music Report; IFPI; Imperialism; Interventionism; Path Dependency; Piracy; Postcolonialism; Power Asymmetries; RIAA; RISA; Afrika; afrobeats; afropop; apartheid; Global Music Report; IFPI; imperialism; interventionism; maktasymmetrier; piratkopiering; postkolonialism; RIAA; RISA; spårbundenhet;

    Sammanfattning : The purpose of this thesis is to present a postcolonial critique that may empower non-Western music industries globally. As per Nigerian music executive Tunde Ogundipe’s reasoning, its analysis isn’t prescriptive – it presents a critical analysis of IFPI’s organisation and ideology, which non-Western stakeholders may use as free strategic business intelligence if/as they please. LÄS MER

  7. 5. A Buyer-Seller Protocol with Watermarking for Cloud Streaming : Towards an Ecosystem for Media Streaming

    Kandidat-uppsats, KTH/Skolan för datavetenskap och kommunikation (CSC)

    Författare :Johan Björklund; [2017]
    Nyckelord :buyer-seller protocol; watermarking; blockchain;

    Sammanfattning : This work shares purpose with new directions in the philosophy of intellectual property, where self-expression and participation in the creation of culture are seen as key ingredients of human wellbeingand autonomy. A technical solution is explored that enables major labels and independent creatorsto publish music with equal reach to audiences, without the need for trusted third parties. LÄS MER