Avancerad sökning

Hittade 2 uppsatser som matchar ovanstående sökkriterier.

  1. 1. Iscensättning av sjukdom : En performativ och bildsemiotisk studie av svenska konvalescentmotiv 1884­–1933

    Master-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Nora Cserhalmi; [2021]
    Nyckelord :convalescence; sickness; TB; performativity; visual semiotics; denotative; connotative; sign; paratext; peritext; epitext; anti-narrative; diagnosis; agency; passiveness; ritualistic; memory; body; vessel; konvalescent; sjukdom; tuberkulos; performativitet; bildsemiotik; denotativ; konnotativ; tecken; peritext; epitext; anti-narrativ; diagnos; agens; passivitet; minne; kropp;

    Sammanfattning : This thesis concerns six Swedish paintings depicting sick or convalescent individuals; Richard Bergh’s Konvalescent (unfinished, 1886), Flickan och Döden (1888), Eva Bonnier’s Magdalena (1887), Gustaf Magnusson’s Konvalescent (1933), Jenny Nyström’s Konvalescenten (1884), and Georg Pauli’s Vid sjukbädden (1885). The purpose of this study is to examine how sickness is portrayed and staged using performative theory and visual semiotics. LÄS MER

  3. 2. Konstruerad utsatthet : En bildsemiotisk analys av Nathalie Djurbergs stop motion-filmer Greed och Cave

    Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Nora Cserhalmi; [2019]
    Nyckelord :Nathalie Djurberg; exposedness; male gaze; visual semiotics; denotative; connotative; sign; female representation; female bodies; construction; male sexual desire; Woman; Man.; Nathalie Djurberg; utsatthet; male gaze; manlig blick; bildsemiotik; denotation; konnotation; tecken; kvinnlig representation; kvinnliga kroppar; konstruktion; manlig sexuell lust; Kvinna; Man.;

    Sammanfattning : This essay aims to analyse how the exposedness is constructed in the Swedish contemporary artist Nathalie Djurberg’s two stop motion-films Greed and Cave. Five stills from Greed and three stills from Cave will be examined from a feminist perspective with a theoretical viewpoint based on theories from both art history and film studies. LÄS MER