Sökning: "Participatory Filmmaking"

Hittade 4 uppsatser innehållade orden Participatory Filmmaking.

  1. 1. Looking back to move forward, how would I embed greater participation throughout mydonor-funded multimedia impact series?

    Master-uppsats, Malmö universitet/Fakulteten för kultur och samhälle (KS)

    Författare :Conor Ashleigh; [2020]
    Nyckelord :participatory communication; ComDev; Participation; donor driven stories; filmmaking; cattle farmers; Indonesia; donor driven communications; multimedia stories; filmmaking steps;

    Sammanfattning : This degree project involves a self-reflective analysis of an Australian Centre forInternational Agricultural Research (ACIAR) funded multimedia series. I produced thework in 2017, about the impact achieved in an agricultural research for developmentproject, working with cattle farmers in Indonesia. LÄS MER

  3. 2. Feeling the Film : En undersökning om förmedlandet av stämning

    Kandidat-uppsats, Blekinge Tekniska Högskola/Institutionen för teknik och estetik

    Författare :Anders Pettersson; Anton Frej; [2018]
    Nyckelord :Participatory Filmmaking; Art Mood; Film Theory; Filmmaking; Shooting Methods; Deltagande filmskapande; Estetisk stämning; Filmteori; Filmskapande; Inspelningsmetoder;

    Sammanfattning : Stämningen en film förmedlar är en av de viktigaste aspekterna inom filmskapande och filmmediet. Det är denna stämning som har möjligheten att påverka åskådarens känslor både under filmens gång och efter att eftertexterna har rullat förbi. LÄS MER

  4. 3. Using crowdsourcing as a production method in filmmaking – a case study

    Master-uppsats, KTH/Medieteknik och interaktionsdesign, MID

    Författare :Johan Lundh Heinstedt; [2017]
    Nyckelord :Filmmaking; Participatory culture; Crowdsourcing; New media technologies; Social media; Online communities.;

    Sammanfattning : As our consumption behaviours of media and entertainment change in the age of new media technologies, the means of production change with them. Filmmaking usually follows a set procedure (often with clear hierarchy and specialised roles in the crew) and the flow of the narration has traditionally followed a one-way direction, from the producing part (the producer/director) to the receiving part (the audience). LÄS MER

  5. 4. Mobile phone filmmaking as a participatory medium: The case study of 24 Frames 24 Hours

    Master-uppsats, Lunds universitet/Avdelningen för konsthistoria och visuella studier

    Författare :Michaela Rabova; [2014]
    Nyckelord :Mobile filmmaking Participation Creativity Interactivity Audience participation; Cultural Sciences;

    Sammanfattning : This research paper explores the recently evolving field of mobile filmmaking as a medium with a potential to increase participation of individuals and communities in their environment. Through the case study of the global mobile filmmaking project 24 Frames 24 Hours, the thesis answers two main questions: how can mobile filmmaking as a process (i. LÄS MER