Sökning: "film arkiv"

Visar resultat 1 - 5 av 13 uppsatser innehållade orden film arkiv.

  1. 1. Vita handskar på! : En studie i arkivariens syn på dess representation i dagens media.

    Master-uppsats, Uppsala universitet/Institutionen för ABM

    Författare :Viktoria Eriksson; [2023]
    Nyckelord :Archive; Archivists; Authenticity; Legitimacy; Media; Representation; Arkiv; Arkivarie; Autenticitet; Legitimitet; Media; Representation;

    Sammanfattning : The aim of this study is to investigate what archivists think about their representation in today´s media.  Popular Tv-shows and other kind of media are frequent users of archives and its contents. Without the archives, many popular TV-shows would not exist. LÄS MER

  3. 2. Beställningsfilm som arkivdokument : En jämförande diskursanalys mellan svenska och amerikanska arkiv

    Master-uppsats, Uppsala universitet/Institutionen för ABM

    Författare :Nanna Olsson; [2023]
    Nyckelord :Non-theatrical film; Sponsored films; Baumer films; Tullbergs film; National Board of Review; Film censorship; Beställningsfilm; Baumer films; Tullbergs film; National Board of Review; Filmcensur; Statens biografbyrå;

    Sammanfattning : The subject of non-theatrical films is an understudied topic in archival science. This paper shows how the different approaches to censorship measures that were in play during the 1920s have affected the archiving of non-theatrical films. LÄS MER

  4. 3. Diversifierat filmarv : Enskilda arkivinstitutioners arbete med att bevara och tillgängliggöra film

    Kandidat-uppsats, Mittuniversitetet/Institutionen för informationssystem och –teknologi

    Författare :Anna Johansson; [2022]
    Nyckelord :Private Archives; Film Archive; Long-term Preservation; Access; Digital Information; Digitization; Cultural Heritage and Archival Institutions; Enskilda arkiv; Filmarkiv; Bevara; Tillgängliggöra; Digital information; Digitisering; Kulturarv och Arkivinstitutioner;

    Sammanfattning : The aim of this study is to examine how Swedish private archival institutions are working with the long-term preservation and access to their digital film collections. The issue of digital preservation has featured in many studies but fewer of these have concentrated on the challenges of private archives. This is what motivated my study. LÄS MER

  5. 4. Cars in Sweden's Cinema & Television : AI-Guided Research of Automobiles in Sweden’s Images from 1950-1980

    Magister-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Maximilian Steck; [2021]
    Nyckelord :archive; AI; cars; cultural memory; digital humanities; film; New Cinema History; object detection; speech recognition; Swedish film; oil crisis; H-Day; Archiv; Künstliche Intelligenz; KI; Filmwissenschaft; Medienwissenschaft; Film; Schweden; Schwedischer Film; Auto; Repräsentation; Wilde Erdbeeren; arkiv; artificiell intelligens; svensk film; bil; minne; representation; oljekris; dagen H; Smultronstället; 映画学; スウェデン; スウェデンの映画; AI; 車; 歴史; オイルショック; 野いちご; ダゲン・H;

    Sammanfattning : This research project centers around cinematic and societal representation of the automobile in post-war Swedish cinema and television. Due to political neutrality during World War II, Sweden’s economy benefited from an extensive surplus immediately after Germany’s capitulation in 1945. LÄS MER

  7. 5. Folkdansaren och arkivet : en undersökning av traditionsbärande som kritisk arkivpraktik

    Master-uppsats, Stockholms konstnärliga högskola/Institutionen för danspedagogik

    Författare :Anna Björk; [2021]
    Nyckelord :expanderat arkivbegrepp; kritisk och pluraliserande arkivteori; folkdansarkiv; kroppen som arkiv; tradering; traditionsbärare; archive; archive theory; body as archive; folk dance; tradition;

    Sammanfattning : The aim of this study is to investigate transmission of knowledge as critical archive practice within folk dance, and thereby contribute to updating the concept tradition bearer. The research questions are: What is done in the situation of knowledge transmission where different folk dance bodies understood as archives – both living dancers and bodies in text and image – meet over time and space? How can these situations be understood theoretically and thus contribute to a new, archive oriented, theoretical understanding of the transmission of knowledge and tradition within folk dance? The empirical material consists of phenomenological interviews with three folk dancers who each participated in two workshops created by the author: in one case, the participants encountered archival material such as text, film and photography, in the other a living dancer understood as an archive. LÄS MER