Sökning: "film violence"

Visar resultat 1 - 5 av 59 uppsatser innehållade orden film violence.

  1. 1. Från kärlek till kontroll - En kvalitativ studie om unga kvinnors upplevelser av våld i nära relationer

    Kandidat-uppsats, Lunds universitet/Socialhögskolan

    Författare :Alena Mogrip; Johanna Rautio; [2024]
    Nyckelord :teen intimate partner violence; intimate partner violence; IPV; digital violence; normalization; coercive control; våld i ungas nära relationer; våld i nära relationer; digitalt våld; normaliseringsprocessen; Social Sciences;

    Sammanfattning : Our study aimed to, through a qualitative content analysis, understand how violence manifests among young women aged 16-25 in their romantic relationships, as well as how violence affects their social lives. By listening to six podcasts, watching three short film clips, and reading three written texts, we have gained insights into personal stories from young women's own experiences of violence in close relationships. LÄS MER

  2. 2. Playing with the Third Reich: Conceptual Relocation from Nazi Film to WWII Game : An Experiment to measure Filmic concepts in Digital Games

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Laqi Li; [2023]
    Nyckelord :Nazi Germany; Propaganda Films; Science Fiction Trilogy; Industrial Films; WWII FPS Games; WWII Simulation Games; Fascist Aesthetic; Futuristic Utopianism; Steel-like Romanticism; History.;

    Sammanfattning : Film produced by Nazi Germany has been a classic that has drawn scholars from a wide range of academic disciplines as well as innumerable cineastes from various cultural backgrounds. The simultaneous rise in the number of players acting as observers and operators in digital games with a WWII theme has drawn recent scholarly attention since it is thought that this pattern is contributing to players' hazy understanding of historical events. LÄS MER

  3. 3. Agency and Tradition : Women in 1920s China through the Lens of Film

    Kandidat-uppsats, Uppsala universitet/Institutionen för lingvistik och filologi

    Författare :Natacha Rojrung; [2023]
    Nyckelord :Keywords: Agency; China; Raise the Red Lantern; film; female characters;

    Sammanfattning : The aim of this study is an attempt to provide examples of how women’s roles have been portrayed in Chinese film made in modern time about women in the 1920s through examination and analysis of the film Raise the Red Lantern《大红灯笼高高挂》by Zhang Yimo by using agency theory. The study delves into the portrayal of female characters' actions within traditional marriage and family dynamics as depicted in the film. LÄS MER

  4. 4. Romantisk svartsjuka - ett inlärt beteende? : En kvalitativ analys av hur svartsjuka porträtteras i sju romantiska filmer

    Kandidat-uppsats, Malmö universitet/Institutionen för socialt arbete (SA)

    Författare :Johanna Kvist; Fredrik Timén Eriksson; [2023]
    Nyckelord :Adolescents; Behaviour; Film; Jealousy; Media; Normalization; Relationship; Romanticization; Violence; Beteende; Media; Normalisering; Relationer; Romantisering; Spelfilm; Svartsjuka; Unga; Våld;

    Sammanfattning : The idea of romance, intimate sexual relationships and romantic relationships has been distorted and subsequently redefined. Emotional- and affect related behaviour such as jealousy has been integrated into relationships and has been transformed into a sign of love and care. LÄS MER

  5. 5. Skildringar av kvinnliga migrantarbetare i kinesisk film : Id-kortet, oskuldsfullheten och temaparken i The world och Angels wear white

    Kandidat-uppsats, Uppsala universitet/Institutionen för lingvistik och filologi

    Författare :Maria Cheng Herelius; [2023]
    Nyckelord :the floating population; female migrant workers; hukou; The World; Angels Wear White; 流动人口, 户口,女性民工, 世界, 嘉年华,; den flytande befolkningen; hukou; kvinnliga migrantarbetare; The world; Angels wear white;

    Sammanfattning : This thesis examines how themes about migrant workers, especially women migrant workers are depicted in the two films The world, Shijie 世界 (2004), directed by Jia Zhangke 贾樟柯 and Angels wear white, Jianianhua 嘉年华 (2017), directed by Vivian Qu, also called Wen Yan 文言. In the background of the thesis the subjects hukou 户口, the system of household registration; the floating population, liudong renkou 流动人口, the people who are not living at the place where they are registered at, according to the hukou system and black hukou, heihu 黑户, the people who lack hukou altogether are discussed. LÄS MER