Sökning: "folk dance"
Visar resultat 1 - 5 av 21 uppsatser innehållade orden folk dance.
1. MED DENNA VISDOM BÖRJAR VI DENNA LÅT. Om mellansnackets diskursiva konstruktion av den svenska folkmusikgenren
Master-uppsats, Göteborgs universitet/Institutionen för kulturvetenskaperSammanfattning : ”With this knowledge we begin this tune” – Stage talk as the discursive construction of Swedish folk music. Stage talk – i.e. the musicians’ talk on stage during concerts – is a given in an array of musical genres, although how the musicians talk and which roles the stage talk fill differ between genres. LÄS MER
2. A New Dance Pavilion in Dala-Floda
Uppsats för yrkesexamina på avancerad nivå, KTH/ArkitekturSammanfattning : In 2018, the roof of the old dancing pavilion in Dala-Floda collapsed due to a heavy snowfall. Situated in the folk park Strandbacken, the pavilion was an important node in the local community. It was of course used for dances, but also other kinds of events such as parties, concerts and movie nights. LÄS MER
3. Kontakt i Folkdans : -en studie om hur vi skapar förutsättningar för att kunna läsa av varandras kroppar och intentioner
Kandidat-uppsats, Stockholms konstnärliga högskola/Institutionen för danspedagogikSammanfattning : This study aims to examine how the phenomenon of connection in Swedish folkdance is experienced and formulated by dancers. Connection is a big part of all couple dances, yet not many have concrete descriptions of it. LÄS MER
4. Järna Folkets Hus + "Platsen där allt har ben"
Kandidat-uppsats, KTH/ArkitekturSammanfattning : Projektet presenterar ett förslag till en ny typologi av Folket Hus, som är en kombination av växthus, odlingslotter och ett hus rum för folket. Baserad på uppkomsten och dess betydelse historiskt har Folket Hus varit riktad först och främst till vuxna. LÄS MER
5. Folkdansaren och arkivet : en undersökning av traditionsbärande som kritisk arkivpraktik
Master-uppsats, Stockholms konstnärliga högskola/Institutionen för danspedagogikSammanfattning : The aim of this study is to investigate transmission of knowledge as critical archive practice within folk dance, and thereby contribute to updating the concept tradition bearer. The research questions are: What is done in the situation of knowledge transmission where different folk dance bodies understood as archives – both living dancers and bodies in text and image – meet over time and space? How can these situations be understood theoretically and thus contribute to a new, archive oriented, theoretical understanding of the transmission of knowledge and tradition within folk dance? The empirical material consists of phenomenological interviews with three folk dancers who each participated in two workshops created by the author: in one case, the participants encountered archival material such as text, film and photography, in the other a living dancer understood as an archive. LÄS MER