Sökning: "human specific theatre"
Visar resultat 1 - 5 av 7 uppsatser innehållade orden human specific theatre.
1. Exploring opportunities of complex LED colour mix systems for lighting in the art. Fine colour tuning a painting
Magister-uppsats, KTH/LjusdesignSammanfattning : Museums and the performing arts have very specific lighting requirements, not only in the technical aspects of their presentation, but also in regard to the communication and interpretation of artistic concepts. Thus, the design intent might have many different perspectives whereas the idea of being “neutral” is more complex to define. LÄS MER
2. Light Evoking Emotions: The Element of Surprise in theatre and photography conveyed through the medium of light.Parallels and applications in Architecture
Magister-uppsats, KTH/LjusdesignSammanfattning : The aim of this dissertation is to research the way light is used as a tool to reveal emotions, focusing on The Element of Surprise. Light is a powerful medium that could instantly change the perception of space in terms of mood and atmosphere that is created by it. LÄS MER
3. Landskapsarkitektur och scenkonst : en undersökning av gränsland och ämnesöverskridande interaktioner
Master-uppsats, SLU/Dept. of Landscape Architecture, Planning and Management (from 130101)Sammanfattning : I landskapsarkitektens arbete är konstnärliga gränsland ständigt närvarande. I arbetet undersöks interaktioner mellan landskapsarkitektur och scenkonst specifikt. LÄS MER
4. A CRITICAL WEDGE
Master-uppsats, Göteborgs universitet/Högskolan för scen och musikSammanfattning : A critical wedge – is an exploration of the in-betweens within performing arts and how they can become gaps for questioning, a place for exploring alternatives. How juxtaposition can be a political tool when composing a performance. It all started with the interspace between reality and fiction, the authentic and fictional self. LÄS MER
5. Interaction at a Classical Concert
Master-uppsats, Malmö högskola/Fakulteten för kultur och samhälle (KS)Sammanfattning : This thesis introduces the research of combining the field of interaction design with the domain of the classical concert. The research is framed around a curiosity about why interaction at big stages tend to fail: how can mass interaction support the concert experience in a way that interactivity becomes a dialogue between artistic intention and audience experience. LÄS MER