Sökning: "musical discourse"

Visar resultat 1 - 5 av 43 uppsatser innehållade orden musical discourse.

  1. 1. The Sounds of Pain : An ethnography of musicians living with migraine in Uppsala

    Master-uppsats, Uppsala universitet/Institutionen för kulturantropologi och etnologi

    Författare :Rosanne Heijstek; [2024]
    Nyckelord :migraine; anthropology; pain; music; affect;

    Sammanfattning : Migraine is an extremely common and disabling disease that affects three times more women than men, and is characterized by recurring migraines comprised of disturbances in sensation perception, intense head pain, nausea, and increased sensitivity to light and sound that can last from several hours to multiple days. Currently, there are no cures for the disease, no official social services that can help a person to handle living with it, and limited studies on its mechanisms or impact on a person’s life. LÄS MER

  2. 2. "En dagstidning i betong" : en studie av den samtida receptionen av Siri Derkerts Ristningar i naturbetong (1965) på Östermalmstorgs tunnelbanestation i Stockholm

    Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Linda Wigers; [2024]
    Nyckelord :Art History; Siri Derkert; Östermalmstorg; art criticism; discourse analysis; reception aesthetics; public art; public transport art; Stockholm subway art; Swedish 1960’s;

    Sammanfattning : The aim of this study is to analyse the contemporary art critical reception of Siri Derkert’s Ristningar i naturbetong (translates to Engravings in natural concrete) (1965) at the metro station of Östermalmstorg in central Stockholm, and further contextualising the reception within the art debate of modern and public art in 1960’s Sweden. Using linguist Norman Fairclough’s three step-discourse analysis as both methodological and theoretical starting points, combined with art historian Wolfgang Kemp's reception aesthetics, archived newspaper articles, principally from the year 1965, are read and analysed in the study. LÄS MER

  3. 3. MED DENNA VISDOM BÖRJAR VI DENNA LÅT. Om mellansnackets diskursiva konstruktion av den svenska folkmusikgenren

    Master-uppsats, Göteborgs universitet/Institutionen för kulturvetenskaper

    Författare :Nichelle Johansson; [2023-10-04]
    Nyckelord :Mellansnack; svensk folkmusik; diskurs; genus; performans; genrekonstruktion;

    Sammanfattning : ”With this knowledge we begin this tune” – Stage talk as the discursive construction of Swedish folk music. Stage talk – i.e. the musicians’ talk on stage during concerts – is a given in an array of musical genres, although how the musicians talk and which roles the stage talk fill differ between genres. LÄS MER

  4. 4. Pre-Existing Film Music Re:sourced : Technical Aspects and Narratological Implications of Audible Diegetic Transitions in Joker and Other Films

    Master-uppsats, Uppsala universitet/Institutionen för musikvetenskap

    Författare :Martin Danstål Skiöld; [2023]
    Nyckelord :film music; technical aspects; narratological implications; audible diegetic transitions; transaural displacements; diegetic; non-diegetic; intra-diegetic; meta-diegetic; supra-diegetic; trans-diegetic; sound advance; bridge; lag; story; discourse; instant; gradual; emotive; grounding; narrow; wide; Joker; Baby Driver; Coda; Guardians of the Galaxy; Star Wars;

    Sammanfattning : This thesis concerns itself with a phenomenon found in film music that can be described as audible diegetic transitions. In short, an audible diegetic transition occurs when film music shifts from one implied musical placement to another by changing its pre­sented sound quality. LÄS MER

  5. 5. Imitation i sång, verktyg eller hinder? : En diskursanalytisk studie av sångpedagogers uppfattningar om röst, kropp och identitet.

    Uppsats för yrkesexamina på grundnivå, Karlstads universitet/Institutionen för konstnärliga studier (from 2013)

    Författare :Elisabeth Vingård; [2023]
    Nyckelord :singing teaching; imitation; voice ID; the singing voice; discourse theory; qualitative interview; sångundervisning; imitation; röst-id; sångrösten; diskursteori; kvalitativ intervju;

    Sammanfattning : Studiens syfte är att undersöka sånglärares syn på huruvida imitation kan vara ett verktyg eller hinder i sångutveckling och i strävan efter att hitta fram till ett eget röst-id. Det teoretiska ramverket i studien utgörs av diskursanalys med en diskursteoretisk ansats. LÄS MER