Sökning: "postmodern film"

Visar resultat 1 - 5 av 16 uppsatser innehållade orden postmodern film.

  1. 1. Min granne barndomen, hur var det nu igen? : Om barndomsdiskurser i Min granne Totoro

    Uppsats för yrkesexamina på avancerad nivå, Mittuniversitetet/Institutionen för humaniora och samhällsvetenskap

    Författare :Joel Fredriksson; [2022]
    Nyckelord :Hayao Miyazaki; Studio Ghibli; film analysis; discourse theory; discourse analysis; film pedagogy; childhood discourses; the natural child; the competent child; the vulnerable child; postmodern childhood; the lonely child; the psychological child; gender discourses; adult children; child adults; the imaginative child; Heidi; Anne of Green Gables; Moomin; Pippi Longstocking; shintoism; filmanalys; diskursteori; diskursanalys; filmpedagogik; det naturliga barnet; det kompetenta barnet; det bräckliga barnet; postmodern barndom; det psykologiska barnet; det ensamma barnet; genusdiskurser; vuxenbarn; barnvuxna; det fantasifulla barnet; Anne på Grönkulla; Mumin; Pippi Långstrump;

    Sammanfattning : In this study, the Japanese animated film My Neighbor Totoro was analyzed with regards to what childhood discourses can be found in it, and why these discourses in particular appear. To do this, discourse theory was used as the main theoretical basis, and certain aspects of hermeneutics were also used, such as combining the hermeneutic spiral with basic film analysis as a method. LÄS MER

  3. 2. The dancing qualities of the cinematic space: a methodological experiment in order to perceive the motion picture as a dancing body.

    Master-uppsats, Lunds universitet/Avdelningen för konsthistoria och visuella studier

    Författare :Gianmarco Donaggio; [2022]
    Nyckelord :Cinematic space; postmodern dance; movement; phenomenology; film; avant-garde; Arts and Architecture; Performing Arts; Philosophy and Religion;

    Sammanfattning : The thesis is proposing a method to perceive the cinematic space as a body in motion. The foundation for such an experimental method is traced within the investigation of the movement in the study of the motion picture, as well as in a phenomenological approach to dance, and in selected theories from the continental philosophy of the 20th century. LÄS MER

  4. 3. Våld och terror i den idylliska naturen : En genreanalys av nordiska slasherfilmer

    Magister-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

    Författare :Kenny Nordgren; [2021]
    Nyckelord :Skräckfilm; nordiska slasherfilmer; genreanalys;

    Sammanfattning : The primary target for this thesis is to examine what characterizes Nordic slasher films. When the subgenre became successful in North America in the beginning of the 1980’s, the genre was almost nonexistent in the Nordic countries. LÄS MER

  5. 4. I mellanrum och marginaler: Essäfilm : En närläsning av essäistisk form och samhällskritik i två svenskproducerade filmer

    Kandidat-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

    Författare :Henrik Runmark; [2021]
    Nyckelord :essay; essay film; essayistic form; essäfilm; essä; essäistisk form; samhällskritik;

    Sammanfattning : This study is a close reading of how Shapeshifters (Sophie Vuković, 2017) and Inuti diamanten (Viktor Johansson, 2020) produce social criticism through essayistic forms. Using relevant research and theories on essay film, the first part of this study explores essayistic form in above mentioned films. LÄS MER

  7. 5. Translating History of Fashion on Screen : A study of Piero Tosi’s costumes in Senso and their power of divulgation as historiophoty

    Master-uppsats, Stockholms universitet/Modevetenskap

    Författare :Flora Ferrara; [2020]
    Nyckelord :History of fashion; costume; film; adaptation; historiophoty; Piero Tosi; historical accuracy; 1860s; literature; intersemiotic translation;

    Sammanfattning : The aim of this thesis is to demonstrate that historical costumes can be a valid tool to crystallize and disseminate visual knowledge about fashion and dress history. In the specific, this thesis argues that the screen representation of dress and fashion of the 1860s in the adaptation Senso (1954) provides an evocative contextualization of their past use and meaning for modern viewers. LÄS MER