”Behind The Mirror” Perception och tolkning av Blutengel hos deras fans

Detta är en Kandidat-uppsats från Göteborgs universitet/Institutionen för kulturvetenskaper

Sammanfattning: This paper strives to answer ”What happens to the experience of diehard fans when a groupchanges an original song?” and the musical example for this are the German group Blutengeland their songs Behind The Mirror and Reich mir die Hand, which they first performed assymphonic versions at 2012’s Gothic meets Klassik in Leipzig, Germany. Theoretically thispaper is built on the idea that musical meaning conjures not only from the music itself, butalso from the perceiver and the situation.Through five interviews this paper answers who the informants are, what music means forthem and specifically, what the music of Blutengel means for them. The result shows that theinformants were acceptant to the musical change, but for some disappointment would occur ifthe band continued with orchestral instrumentation. The limit for acceptance seems not to liein musical rearrangement but instead in changed artistic identity.

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