”Jag vill ha slitningar där sprickor växer, där avstånd mellan tid och tid / blir kött” : Att teckna i negationer: En studie av negationens kritiska potential i Christina Ouzounidis postdramatiska teatertext Spår av Antigone (2014)

Sammanfattning: With basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theory on postdramatic theatre this study investigates the ethic and aesthetic processes of negation in Christina Ouzounidis theatre texts. Analyzing the ways in which the postdramatic form serves as a negation of classical dramaturgy, as well as reading the negative statements as representants of the very challenge of portraying utopia, the studie examines three main themes: the notion of postdramatic theatre text, the postdramatic adaption of classical texts and the political postdramatic.