Skandalprinsessan, vampen och den flicksöta kvinnan : - En studie i den kvinnliga kändisens gestaltning i damtidningar

Sammanfattning: The intention of this study is to find out how the female celebrity is portrayed in women’s magazines directed at women of different age groups. The magazines that I have chosen to analyse are Frida, Veckorevyn and Damernas Värld. My aim is to find out what kind of celebrity appears in the magazines in terms of occupation and topics in the articles. Furthermore, the aim is also to determine whether the celebrity is portrayed in a different or similar way depending on the target group. This thesis is done from a gender perspective in order to elucidate what distinguishes the celebrity in the context of the celebrity being female. The frameworks of theories are the following: culture theory, ideology, stereotypes, homo-sociality and connotation and denotation. The methods used to analyse the texts were content analysis and qualitative discourse analysis. Since images of the female celebrities have also been of importance, I have used the method of semiotics for picture analysis. I discovered that there are both differences and similarities in how the female celebrity is portrayed, in relation to different age categories. It appears there are more types of women celebrities in Damernas Värld in-comparison to Frida and Veckorevyn, as not only do the celebrities in Damernas Värld have more varied occupations, they also engage in more topics in their interviews. I found that the celebrity woman is not always portrayed in exactly the same light. However, I could identify the average woman which appears most frequently in all the magazines. The portrayal of the celebrity woman is usually built on contrasts and stereotypes. The occupation is typically an actress or a singer; she is usually white, heterosexual and rich. Her traits are typically being tough and independent, yet in conjunction considerate and friendly. She is also glamorous but ordinary, sexy but sweet. The underlying preconceptions of femininity are never challenged by the journalist’s way of portraying the celebrities.