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Visar resultat 1 - 5 av 9 uppsatser som matchar ovanstående sökkriterier.

1. 1. "For the pleasure of your company" : En adaptionsstudie av TV-serien Raffles

   Kandidat-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

   Författare :Toni M. Nilsson; [2023]
   Nyckelord :E. W. Hornung; A. J. Raffles; Philip Mackie; archival studies; adaptation theory; British television; aestheticism; queer theory; E. W. Hornung; A. J. Raffles; Philip Mackie; arkivstudier; adaptionsteori; brittisk television; esteticism; queerteori;

   Sammanfattning : This thesis examines how the aesthetic and queer themes in E. W. Hornung’s Raffles stories have been transmediated in the TV-series Raffles. Hornung’s Raffles stories were not only immensely popular in their time, but were also a reflection of the fin-de-siècle and of the cultural role aestheticism played in the late Victorian society. LÄS MER

3. 2. Screenwriter and Character Gender in a 2020 Body of Swedish Feature Film Proposals

   Magister-uppsats, Malmö universitet/Institutionen för konst, kultur och kommunikation (K3)

   Författare :Johanna Koljonen; [2022]
   Nyckelord :screenwriting; script development; gender; feature film screenwriting; feminist media studies;

   Sammanfattning : This study of correlations between screenwriter and character gender is based on a 2020 body of 369 Swedish feature fiction film proposals by 380 individual writers, submitted to the Swedish national broadcasting corporation Sveriges Television (SVT) specifically for development funding for screenwriting. Results are compared both with similar data from the Swedish Film Institute (SFI), which is the national funding body, as well as with SFI’s statistics of Swedish films receiving selective or market support. LÄS MER

4. 3. Filmmanusens funktion i Quentin Tarantinos bildspråk : Jämförelseanalys av två manus - Hateful Eight och Reservoir Dogs

   Kandidat-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

   Författare :Utkan Buyukada; [2018]
   Nyckelord :;

   Sammanfattning : This essay is a comparative analysis of Quentin Tarantino´s first, Reservoir Dogs (Quentin Tarantino, 1992), and his latest screenplay, Hateful Eight (Quentin Tarantino, 2015). Focus of the essay is Tarantino as a screenwriter and investigates the correlation between visual intentions and formation of their effects on film. LÄS MER

5. 4. Konsten att skriva ett filmmanus med kunden

   Kandidat-uppsats, Blekinge Tekniska Högskola/Institutionen för teknik och estetik

   Författare :Bilbo Zinders; [2018]
   Nyckelord :Screenwriter; Participatory Design; Collaborative Writing; Method; Filmmanusförfattare; Deltagande Design; Kollaborativt Skrivande; Metod;

   Sammanfattning : I detta kandidatarbete har jag gått igenom hur man skriver ett manus med kunden, låta kunden komma på idéen och vara med i skrivandeprocessen. Med hjälp av en kombination av Deltagande Design och Kollaborativt Skrivande som metoder har jag byggt ihop en ny modell som hjälpte både mig och kunden för att få det bästa filmmanuset vi kunde göra med dom begränsningarna vi fick på vägen. LÄS MER

7. 5. Transformative Screenwriting: Charlie Kaufman’s Postmodern Adaptation of Story

   Magister-uppsats, Lunds universitet/Filmvetenskap

   Författare :Johan Sundberg; [2015]
   Nyckelord :Charlie Kaufman; Storytelling; Writing; Screenwriting; Transformative Screenwriting; Transformative; Postmodern; Kaufman; Robert McKee; McKee; Thesis; Essay; Master s; Master; Donald Kaufman; Plot; Archplot; Miniplot; Antiplot; Change; Statis; Screenwriter; Hollywood; Art Film; Synecdoche; Eternal Sunshine; Being John Malkovich; Susan Orlean; The Orchid Thief; Orchid Thief; Arts and Architecture;

   Sammanfattning : The essay's investigation of postmodern storytelling and transformative screenwriting, in relation to how Robert McKee's Story is reflected in Charlie Kaufman's Adaptation – in text and subtext, form and content – shows that the film's form is that of the classical archplot. It is only Adaptation's content, reflecting the dream of an art film/antiplot that is critical – while the form is a complicitous Hollywood form. LÄS MER