Sökning: "Filmvetenskap"

Visar resultat 1 - 5 av 233 uppsatser innehållade ordet Filmvetenskap.

  1. 1. Bong Joon-hos gestaltande av klass : En semiotisk klassanalys av Snowpiercer, Okja och Parasite

    Magister-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

    Författare :Ludwig Mattsson; [2020]
    Nyckelord :Film; Bong Joon-Ho; Parasite; Snowpiercer; Okja; Class; Karl Marx; Max Weber; Pierre Bourdieu; class analysis; Semiotics; Film; Bong Joon-Ho; Parasite; Snowpiercer; Okja; Sydkorea; Klassanalys; Karl Marx; Max Weber; Pierre Bourdieu; Semiotik; Klass; Filmvetenskap;

    Sammanfattning : .... LÄS MER

  2. 2. It's a mad mad men's world - En analys av HBO-serien Mad Men utifrån ett genusperspektiv med fokus på maskulinitet

    Kandidat-uppsats, Lunds universitet/Filmvetenskap

    Författare :Viktor Svanström; [2020]
    Nyckelord :Mad Men; maskulinitet; manlighet; könsroller; psykisk ohälsa; masculinity; manhood; gender roles; mental illness; Social Sciences; Languages and Literatures;

    Sammanfattning : This essay will delve into a deep analysis regarding multiple episodes of the American tv-series Mad Men primarily from the perspective of two theoretical concepts regarding the study of masculinity. These include, for example, studies regarding the concept of “precarious manhood” by Joseph A. Vandello and Jennifer K. LÄS MER

  3. 3. Big Dyke Energy? : Commodification and Queer Female Meaning-Making in the Reception of Ocean’s 8 (Gary Ross, 2018)

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Esmé Fransen; [2020]
    Nyckelord :Ocean’s 8; commodification; queer female reception; epiphenomena; popular Film; commodity lesbianism; Cate Blanchett;

    Sammanfattning : In a media landscape that continues to be characterized by heteronormativity, queer female audiences are continuously finding ways to make popular texts their own. Previous scholarship on queer female reception has largely approached queer meaning-making as a text-audience relationship, a perspective which disregards the position of films as commodities surrounded by an extensive promotional network. LÄS MER

  4. 4. Unfolding the Assemblage : Towards an Archaeology of 3D Systems

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Artem Rakov; [2020]
    Nyckelord :3D; stereoscopy; digital; analogue; recording; capturing; projection; viewing; eyewear; the observer; media archaeology; hardware; software; reverse engineering; machine time; non-linearity; materiality;

    Sammanfattning : Recent scholarship around the topic of 3D mainly deals with the visual developments that have occurred in the medium during the 21st century. A common perception in these strands of research is that in comparison to the production workflows employed in the analogue era, the 3D compositions that are being crafted through the aid of the ever-evolving digital technology have made 3D develop for the better. LÄS MER

  5. 5. The Most Disturbing Definition: Are Extreme Cinema Films Part of One Big Genre?

    Kandidat-uppsats, Lunds universitet/Filmvetenskap

    Författare :Lancelot Jensen; [2020]
    Nyckelord :Extreme Cinema; Extreme Film; Extreme Movies; Disturbing; Controversial; Graphic; Violence in film; Sex in film; Sexual violence in film; Languages and Literatures;

    Sammanfattning : In this essay I have looked at how the term extreme cinema should be categorized. Should it be categorized as a genre, a subgenre, an umbrella term or something else. To find this out I have divided the essay into three chapters, one long and two short. LÄS MER