Sökning: "women in cinema"
Visar resultat 1 - 5 av 21 uppsatser innehållade orden women in cinema.
1. Messages from the deep: A reception study of Denis Villeneuve's Dune
Magister-uppsats, Göteborgs universitet/Institutionen för kulturvetenskaperSammanfattning : This essay uses Pierre Bourdieus habitus, symbolic capital, Social fields, Stuart Halls representation theory and Encoding/Decoding system, as well as Henry Jenkins concept of convergence culture and media convergence, to conduct a reception study of Denis Villeneuves 2021 adaption of the science fiction movie Dune. The material collected for the reception study is collected in the form of reviews and features from experts in cinema, juxtaposed against material collected from YouTube in the form of reviews, reaction videos and video essays from social groups sectioned around cinephiles and science fiction fandom. LÄS MER
2. Changing Perspectives : Representation and the gaze in Bilge Olgac's films from 1960s to 1980s
Master-uppsats, Stockholms universitet/Institutionen för mediestudierSammanfattning : Bilge Olgac, one of the first female directors of Turkey, who shot her first film in 1965, shaped her films according to the developments in Turkey. This thesis investigates how Olgac was affected by the events that took place in Turkey from the 1960s to the 1980s and how she reflected this impact on the representations of men and women in her films. LÄS MER
3. ZAHRTMANN OCH KVINNORNA : En genusanalys av Kristian Zahrtmanns historiska kvinnoportrtätt.
Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetikSammanfattning : During the 19th and early 20th century, a time where the woman’s primary role was the mother, Kristian Zahrtmann’s distinctive history paintings were on the contrary often fronted by strong female subjects. Not only did he paint historical women who had peculiar lives, but he allowed them to take on complex gender roles during a time where women’s lives were tightly restricted by domestication and beauty. LÄS MER
4. Skildringar av kvinnliga migrantarbetare i kinesisk film : Id-kortet, oskuldsfullheten och temaparken i The world och Angels wear white
Kandidat-uppsats, Uppsala universitet/Institutionen för lingvistik och filologiSammanfattning : This thesis examines how themes about migrant workers, especially women migrant workers are depicted in the two films The world, Shijie 世界 (2004), directed by Jia Zhangke 贾樟柯 and Angels wear white, Jianianhua 嘉年华 (2017), directed by Vivian Qu, also called Wen Yan 文言. In the background of the thesis the subjects hukou 户口, the system of household registration; the floating population, liudong renkou 流动人口, the people who are not living at the place where they are registered at, according to the hukou system and black hukou, heihu 黑户, the people who lack hukou altogether are discussed. LÄS MER
5. Bad Guys and Nasty Women : En jämförelse mellan Amy Dunne och Jokern.
Kandidat-uppsats, Linnéuniversitetet/Institutionen för medier och journalistik (MJ)Sammanfattning : The aim of this study was to examine the depiction of female versus male antagonists. A semiotic qualitative analysis was used to execute this with a gender perspective in order to analyze the societal structures that may be reflected in the characters in the form of stereotypical gender roles. And the reason behind this. LÄS MER
