Sökning: "orchestral"
Visar resultat 1 - 5 av 58 uppsatser innehållade ordet orchestral.
1. Tuning the Snare Drum
Master-uppsats, Göteborgs universitet/Högskolan för scen och musikSammanfattning : The percussion in the orchestra is always seen as the rhythmic section and the section which gives different colours and effects to the main melody. No one really thinks about the tuning of the percussion instruments but on the timpani. LÄS MER
2. Changing my sound: Developing the Tone Quality on the Flute with Embouchure Change
Master-uppsats, Göteborgs universitet/Högskolan för scen och musikSammanfattning : This thesis studies the embouchure of a flutist and how changing it affects the tone quality of a player. The study was made by exploring literature on the topic of flute technique and embouchure, and by documenting the author’s own journey with embouchure change. Data was collected through video recordings, photos, and written practice journal. LÄS MER
3. Två Violinkonserter- En analys av Bachs violinkonsert i a-moll och Sjostakovitjs violinkonsert nr. 1
Kandidat-uppsats, Lunds universitet/Konstnärliga fakulteten i MalmöSammanfattning : Syftet med denna uppsats är att få mer kunskap om violinkonserter genom att analysera Bachs violinkonsert i a-moll och Sjostakovitj första violinkonsert. Efter att ha studerat orkesterpartituren har jag kunnat få en djupare förståelse för strukturen och metoderna som används av dessa tonsättare... LÄS MER
4. Complications of 20th Century French Basson Music on Modern German Bassoon System
Master-uppsats, Kungl. Musikhögskolan/Institutionen för klassisk musikSammanfattning : The 20th century French repertoire remains some of the most fruitful and varied music written for our instrument. But in fact it was written for another instrument entirely. LÄS MER
5. Being Like Water: Exploring Openness, Intuition, and External Creative Tools as Parts of the Creative Process
Kandidat-uppsats, Lunds universitet/Konstnärliga fakulteten i MalmöSammanfattning : How can openness, intuition and external creative tools be valuable assets to the creative process? In this thesis, I explore that question as it relates to three distinct perspectives: my reflections on my own approach, other artists’ thoughts on the subject and the composition of my orchestral piece "let me cry" (2022). My findings are that by integrating openness, intuition, and external creative tools into one’s creative practice, one can more easily overcome creative blocks, come up with material, and think of original ideas while saving time and energy that would otherwise be spent on considering various options or coming up with solutions to creative problems. LÄS MER
