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Visar resultat 1 - 5 av 7 uppsatser som matchar ovanstående sökkriterier.

  1. 1. "Saliga äro de anspråkslösa" : En hermeneutisk-semiotisk analys av den institutionella västerbottniska berättarteatern.

    Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Amandreas Norman; [2023]
    Nyckelord :Storytelling; theatre; performance analysis; Berättarteater; Västerbottensteatern; föreställningsanalys; berättare;

    Sammanfattning : ”Blessed be those without pretense”: A hermeneutic-semiotic analysis of the institutionally produced storytelling theatre of Västerbotten is a bachelor thesis in Performance Studies. The study aims to examine and define the aesthetic and commonly occurring themes of the institutionally produced storytelling theatre of Västerbotten, and to discuss the representation of the citizens of Västerbotten on stage, which ideals and characteristics are desirable and which are not. LÄS MER

  2. 2. "How gratifying for once to know that those above will serve those down below!" : En föreställningsanalys av det gotiska i Kungliga Operans uppsättning av musikalen Sweeney Todd: The Demon Barber of Fleet Street (2023)

    Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Anna Strömbom; [2023]
    Nyckelord :Gothic; Sweeney Todd; Stephen Sondheim; Performance Analysis; Musical; Opera;

    Sammanfattning : In the spring of 2023, Kungliga Operan in Stockholm, Sweden premiered their production of Stephen Sondheim's famous musical Sweeney Todd: The Demon Barber of Fleet Street. This study aims to analyze this production in regards to Mattias Fhyr's definition of the Gothic. LÄS MER

  3. 3. BLOOD AND SPERM - AND CUNTS : An analysis of the In-Yer-Face theatre genre ́s approach to female roles and characters

    Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Matilda Belin Larsson; [2023]
    Nyckelord :In-yer-face; performance analysis; drama analysis; gender studies; violence. ; föreställningsanalys; drama analys; genus; våld;

    Sammanfattning : This essay explores the genre of In-Yer-Face theatre and its representation of women. In-Yer-Face theatre emerged in the 1990s in the UK, characterised by its confrontational style and provocative themes. LÄS MER

  4. 4. Barndomsrevolution på Unga Klara : En föreställningsanalys av För att jag säger det utifrån ett genusperspektiv

    Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Linnéa Wäisänen; [2020]
    Nyckelord :Unga Klara; gender; performativity; performance analysis; childhood revolution; theatre for children and young audiences; Unga Klara; genus; performativitet; föreställningsanalys; barnteater; barndomsrevolution;

    Sammanfattning : CHILDHOOD REVOLUTION AT UNGA KLARA - A performance analysis of ’För att jag säger det’ from a gender perspective LINNÉA WÄISÄNEN Abstract The Swedish professional theatre for children and young audiences is in a constant change, development and renewal due to adulthoods shifting view and understanding of the child and childhood through the ages. The shifting discourse of childhood can be seen both in the various theatre performances for children and young audiences throughout the 20th century, but also in the constant shifting discussions and debates about what sort of performances are appropriate for children. LÄS MER

  5. 5. Barndomsrevolution på Unga Klara : En föreställningsanalys av För att jag säger det utifrån ett genusperspektiv

    Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

    Författare :Linnéa Wäisänen; [2020]
    Nyckelord :Gender; performativity; theatre for children and young audiences; Unga Klara; Genus; Performativitet; barnteater; Unga Klara;

    Sammanfattning : The Swedish professional theatre for children and young audiences is in a constant change, development and renewal due to adulthoods shifting view and understanding of the child and childhood through the ages. The shifting discourse of childhood can be seen both in the various theatre performances for children and young audiences throughout the 20th century, but also in the constant shifting discussions and debates about what sort of performances are appropriate for children. LÄS MER