Sökning: "Art Cinema"

Visar resultat 1 - 5 av 41 uppsatser innehållade orden Art Cinema.

  1. 1. Authorship in AI Cinema : The Frost through the lens of Walter Benjamin

    Kandidat-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Taras Låvenberg; [2024]
    Nyckelord :Authorship; AI; AI Cinema; Critical film theory; Generative Media; Film Studies; The Frost; Walter Benjamin.;

    Sammanfattning : The rapid development of generative AI technology challenges traditional ideas of authorship. This thesis investigates the concept of authorship in AI cinema, an emerging approach to filmmaking where advanced AI technology is used in the film production process. The study is focused on the AI film The Frost (Josh Rubin, 2023). LÄS MER

  3. 2. Synaesthesia and Visual Music in Swedish Silent Film

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Gustav Ribbing Lygon; [2023]
    Nyckelord :Silent Film; Synaesthesia; Visual Music; Gesamtkunstwerk; Photogénie; Gesture; Symbolism; Correspondences;

    Sammanfattning : This thesis examines how visual music in Swedish silent film served as an allusion to sound, either as a cinematic effect or as an intertwined part of the film narrative. Drawing on the concepts of synaesthesia and visual music, a discussion on how both concepts relate to each other serves as the key method for analyzing a selection of films. LÄS MER

  4. 3. The Role of Art as a Strategy for Reconciliation and Peacebuilding in Bogotá, Colombia : A narrative investigation of Colombian artists and victims

    Kandidat-uppsats, Linnéuniversitetet/Institutionen för samhällsstudier (SS)

    Författare :Valentina Flechas Guzmán; [2023]
    Nyckelord :Art; Reconciliation; Peacebuilding; Colombia; Truth; Peace; Mercy; Justice; Arte; Reconciliación; Construcción de Paz; Colombia; Verdad; Paz; Misericordia; Justicia;

    Sammanfattning : Due to processes of change, there has been an increase in reconciliation initiatives around Colombia directed at promoting spaces for human interaction and social reconstruction to be encourage. This repertoire of strategies nurture collective memory, individual trauma healing and communities’ transformation, and become a place for peacebuilding to take place. LÄS MER

  5. 4. Alltid med en fot i filmhistorien : Coenbröderna i skärningspunkten mellan genrefilm och auteurfilm

    Kandidat-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL)

    Författare :Charlotte Nordangård; [2023]
    Nyckelord :Coen; auteur; auteurteori; genre; screwballkomedi; film noir; västernfilm; genrekonventioner; genrehybridisering; konstfilm; intertextualitet; Indiewood;

    Sammanfattning : The aim of this thesis is to study the films of the Coen brothers at the intersection of the auteur film and the genre film, by conducting a literature review of the current research on their films. By means of a hermeneutic approach, mainly focusing on the term of genre, four major themes have been established based on the literary review: genres and conventions, hybridization of genre, other art cinema features, and the spectator as auteur. LÄS MER

  7. 5. Western Esotericism references in Dario Argento’s triology The Three Mothers

    Master-uppsats, Högskolan i Gävle/Avdelningen för humaniora

    Författare :Emilie Spagnoli; [2023]
    Nyckelord :Occultism; Esotericism; film critic; Steiner; feminine power; gender; Dario Argento; horror cinema; Suspiria; Inferno; The Mother of Tears;

    Sammanfattning : This thesis aims to explore the influences and references, with a particular focus from occultism and western esotericism, found in the film trilogy of The Three Mothers directed by Dario Argento. The trilogy composed of Suspiria, Inferno and The Mother of Tears was produced in a timeframe of thirty years from 1977 to 2007, so it embeds three decades, it also reflects the willingness from the director to disconnect himself from the usual representation of supernatural and horror films of witches and power. LÄS MER