Sökning: "Diegetic sound effects"

Hittade 3 uppsatser innehållade orden Diegetic sound effects.

  1. 1. Diegetic Source Music & Non-diegetic Underscore: Dramatic Effects on a Romantic Scene

    Kandidat-uppsats, Luleå tekniska universitet/Institutionen för ekonomi, teknik, konst och samhälle

    Författare :Jesper Johansson; [2023]
    Nyckelord :Diegetic; Non-diegetic; Audio; Sound design; Music;

    Sammanfattning : The diegetic and non-diegetic functions that exist when dealing with music for film can affect the way that viewers perceive scenes and characters. It is therefore important to be well informed about what effect these two functions can have on the viewers as a sound designer. LÄS MER

  3. 2. Exploring the impact of familiarity on the emotional response to acousmatic sound effects in horror film

    Kandidat-uppsats, Luleå tekniska universitet/Institutionen för ekonomi, teknik, konst och samhälle

    Författare :Fanny Lantz; [2021]
    Nyckelord :Horror film; Acousmatic sound effects; Film sound; Familiarity; Diegetic sound effects; Fear; Suspense; Emotions.;

    Sammanfattning : Ever since the introduction of sound in film, sound effects have played a big part in the experience of the film audience. Acousmatic sound effects are diegetic sounds that lack a visual source on screen, and they are frequently used in horror films. LÄS MER

  4. 3. Non-diegetic film music as a narrative agency in Christopher Nolan's Interstellar (2014)

    Master-uppsats, Lunds universitet/Filmvetenskap

    Författare :Rasmus Carlsson; [2019]
    Nyckelord :Interstellar; non-diegetic music; Christopher Nolan; Hans Zimmer; implicit narrative functions; semiotic concepts; leitmotif; denotation; connotation; film and media history; film music; Languages and Literatures;

    Sammanfattning : This study sets out to investigate the non-diegetic music in Christopher Nolan’s Interstellar (2014) in order to highlight its implicit narrative functions and meanings. The theoretical approach consists of semiotic concepts such as ‘Cognitive denotative’ and ‘Cognitive connotative’ functions by Emilio Audissino, ‘Myth’ and ‘Anchorage’ by Barthes as well as Claudia Gorbman’s ‘Connotative Cueing’. LÄS MER