Sökning: "Exhibition history"

Visar resultat 21 - 25 av 137 uppsatser innehållade orden Exhibition history.

  1. 21. Hällby besökscenter

    Kandidat-uppsats, KTH/Arkitektur

    Författare :Lars Sundqvist; [2022]
    Nyckelord :hjälmare kanal; besökscenter; utställning; historia; arboga; sluss;

    Sammanfattning : By order of King Gustav II Adolf, a canal was started in 1629 between Hjälmaren and Mälaren to facilitate the transport of goods from the West Coast to Bergslagen and Stockholm and thus also avoid the detour through the strait between Denmark and Skåne. More than 500 men were employed for the canal construction and it took them 10 years to connect a waterway between the two large lakes. LÄS MER

  3. 22. Mälarens naturum

    Kandidat-uppsats, KTH/Arkitektur

    Författare :Gottfrid Björk; [2022]
    Nyckelord :Eskilstuna; Natutrum; folkets hus; offentlig byggnad;

    Sammanfattning : Lake Mälaren exhibition hall in Kvicksund. The short strait in Lake Mälaren is an important part of Lake Mälaren's history. The strait divides the town of Kvicksund into two parts, where one side is in the city of Västerås and the other in the municipality of Eskilstuna. LÄS MER

  4. 23. Maskulint genus och kunglig kröning : En studie om genusrepresentation på en digital historisk utställning

    Kandidat-uppsats, Mittuniversitetet/Institutionen för humaniora och samhällsvetenskap

    Författare :Sanna Bjällerud; [2022]
    Nyckelord :Gender; intersectionality; masculinity; representation; digital web exhibition;

    Sammanfattning : The aim of this study is to critically examine how the theoretical concepts of gender arrangement, gender regime and masculinity become visible on a historical museum's website and how an analysis of gender arrangement, gender regime and masculinity can be understood with an intersectional perspective on gender, class, and religion. The study is guided by a social constructivist approach. LÄS MER

  5. 24. Omtolkningens och omladdningens paradox : Tre fallstudier av föremål och historiska fynd i dåtid, nutid och framtid

    Master-uppsats, Uppsala universitet/Institutionen för ABM

    Författare :Elma Mujkanovic; Lina Sjöblom; [2022]
    Nyckelord :Re-evaluation; Reinterpretation; Musealization; Cultural heritage; Norms; Values; Stereotypes; Exhibition; Change work ; Benin Bronzes; Kingdom of Benin; Benin; Birka warrior; Bj-581; Birka; G’psgolox totem pole; Haisla; Haisla Nation; Museum of Ethnography; Swedish History Museum; The British Museum.; Omladdning; omtolkning; musealisering; kulturarv; normer; värden; stereotyper; utställning; förändringsarbete; Beninbronserna; kungariket Benin; Benin; Birkakrigaren; Bj-581; Birka; G’psgolox totempåle; Haisla; Haisla Nation; Etnografiska museet; Historiska museet; British Museum.;

    Sammanfattning : The aim of this thesis is to identify what actions of change museums have taken to adjust to the ebb and flow of societal norms and values. The empirical evidence is based on three case studies of objects in three museums: the Birka warrior from grave Bj-581 in the Swedish History Museum in Stockholm, the G’psgolox totem pole in the Museum of Ethnography in Stockholm, and the Benin bronzes in the Museum of Ethnography in Stockholm and the British Museum in London. LÄS MER

  7. 25. Materialitetens tolkningspremisser i bevarandet av en samtida konstvärld : Konceptuell dynamik i relation till förgängligheten

    Master-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Anna Lagerqvist Alidoost; [2022]
    Nyckelord :Conceptual art; preservation; conservation; art museum; Konceptuell konst; bevarande; konservering; konstmuseum;

    Sammanfattning : In this thesis, work has been carried out in order to explore the role of materiality in works of conceptual art – and what possible influence the preservation of such objects might have for their meaning within the context of a modern art museum. The study is divided into three parts, where the initial one examines the concept of materiality, the second part maps the history and complexity of conservation, and the final part is based on three case studies of individual artworks. LÄS MER