Sökning: "virtual acoustics"

Visar resultat 1 - 5 av 12 uppsatser innehållade orden virtual acoustics.

1. 1. Room Impulse Response Interpolation

   Master-uppsats, KTH/Skolan för elektroteknik och datavetenskap (EECS)

   Författare :Daníel Thor Wilcox; [2023]
   Nyckelord :Virtual Acoustics; Machine Learning; Signal Processing; Room Impulse Response; Virtuell Akustik; Maskininlärning; Signalbehandling; rumsimpulssvar;

   Sammanfattning : In Virtual Reality (VR) systems, the incorporation of acoustics allows for the generation of audio-visual stimuli, facilitating applications in engineering, architecture, and design. The goal of virtual acoustics is to create a realistic sound field in continuous space. LÄS MER

3. 2. Stable diffusion for HRIR extrapolation : A novel approach with deep learning

   Master-uppsats, KTH/Skolan för elektroteknik och datavetenskap (EECS)

   Författare :Axel Rooth; [2023]
   Nyckelord :Head-related filter; Generative AI; Diffusion; Huvud-relaterat filter; Generative AI; Diffusion;

   Sammanfattning : Humans perceive and interact with their environment through a multitude of sensory channels. Among these, hearing plays a pivotal role, enabling humans to effectively navigate their surroundings. LÄS MER

4. 3. Ambient musik : En undersökning om spatial musik som klingande arkitektur

   Kandidat-uppsats, Stockholms universitet/Institutionen för kultur och estetik

   Författare :Jens Milveden; [2022]
   Nyckelord :Sonic; Spatial; Ambient; Architecture; John Cage; Brian Eno; Dobewall; Erik Satie; Music; Soundscape; Generative; Music For Airports; Furniture Music; Indeterminacy; Ambience; Space; Acoustics; Sound; Installation; Audiovisual; Atmosphere; Landscape; Muzak; Background Music; Musica Mundana; Voicelanding; Phenomenology; Spatial; Ambient; Arkitektur; Musik; John Cage; Brian Eno; Dobewall; Erik Satie; Musica Mundana; Voicelanding; Ljudlandskap; Generativ; Möblemangsmusik; Indeterminism; Ambiens; Rumslighet; Akustik; Installation; Ljudinstallation; Audiovisuell; Atmosfär; Landskap; Muzak; Bakgrundsmusik; Fenomenologi;

   Sammanfattning :  ”Ambient Music”, established and described by its ”creator” Brian Eno, has become a term with a wide range of uses - as generative music, in sound- and audiovisual art installation, a mediated ”sound” of a genre through albums and artists to plug in to during your daily walk - as well as any imaginable association with the term connected to public, spatial or virtual ambience. Through the liner notes of the genres original albums (Ambient 1: Music For Airports of 1978, and to some extent Discreet Music of 1975) it is clear though that the original idea is more related to listening to your own spatial awareness as a form of music rather than a following of certain sounds and conventions that the term has been associated with. LÄS MER

5. 4. Immersive Audio : Simulated Acoustics for Interactive Experiences

   Master-uppsats, Linköpings universitet/Medie- och Informationsteknik; Linköpings universitet/Tekniska fakulteten

   Författare :Linus Arvidsson; [2022]
   Nyckelord :acoustics; simulation; interactive sound propagation; spatial audio; ray tracing;

   Sammanfattning : A key aspect of immersive audio is realistic acoustics. To get plausible acoustics for an environment the impulse response can be generated using acoustic simulations and should ideally be updated in real-time for interactive applications. LÄS MER

7. 5. Simulating Low Frequency Reverberation in Rooms

   Master-uppsats, KTH/Marcus Wallenberg Laboratoriet MWL

   Författare :Mattias Svensson; [2020]
   Nyckelord :Low frequencies; Room acoustics; Finite Difference Time Domain method; FDTD.; Rumsakustik; låga frekvenser; Finite Difference Time Domain metoden; FDTD.;

   Sammanfattning : The aim of this thesis was to make a practical tool for low frequency analysis in room acoustics.The need arises from Acad’s experience that their results from simulations using raytracing software deviate in the lower frequencies when compared to field measurements inrooms. LÄS MER