Sökning: "The Left Hand of Darkness"

Visar resultat 1 - 5 av 9 uppsatser innehållade orden The Left Hand of Darkness.

  1. 1. Worlding Communication: The Foregrounding of Novel Communication Barriers in Literature

    Master-uppsats, Stockholms universitet/Engelska institutionen

    Författare :Serra Hughes; [2022]
    Nyckelord :novel communication barriers; Eric Hayot; novum; world literature; estrangement; metadiegetic structures; Jürgen Habermas; Darko Suvin; language; linguistic novelty;

    Sammanfattning : Novel communication barriers, innovative obstacles to mutual understanding that deviate from the norms of the actual world, are a recurring yet understudied presence in aesthetic worlds of all kinds. Some examples of this are Dana’s twentieth-century way of speaking that travels back in time with her in Kindred, or Americans under Japanese occupation struggling to speak through cultural and linguistic barriers in an alternate historical timeline in The Man in the High Castle, or the unique obstructions to communication in the alien encounters of Ursula Le Guin’s The Left Hand of Darkness or Ted Chiang’s “The Story of Your Life. LÄS MER

  2. 2. #earth#enviroment#posthuman#sciencefiction#ecocriticism : eller, en ekokritisk läsning av science fiction-litteratur samt ett försök att sammanföra samtida klimatdiskussioner med framtidsgestaltningar av människan och hennes omvärld

    Uppsats för yrkesexamina på avancerad nivå, Örebro universitet/Institutionen för humaniora, utbildnings- och samhällsvetenskap

    Författare :Jacob Lundberg; [2022]
    Nyckelord :Science fiction; ekokritik; posthumanism; Dune; The Left Hand of Darkness; Dawn; skönlitteratur; framtid; ekologi; klimatförändring;

    Sammanfattning : Uppsatsen gör en kvalitativ närläsning av utvalda passager i science fiction-verken Dune - Frank Herbert (1965), The Left Hand of Darkness - Ursula K. Le Guin (1969) och Dawn - Octavia E. Butler (1987). Materialet analyseras utifrån ett ekokritiskt perspektiv. LÄS MER

  3. 3. Is it queer enough? : Anti-normativity in Young Adult Literature: Acomparison between Carve the Mark, The Left Hand ofDarkness, and The Giver

    Kandidat-uppsats, Högskolan i Halmstad/Akademin för lärande, humaniora och samhälle

    Författare :Lisa Strandberg; [2021]
    Nyckelord :queer theory; gender performativity; Roth; anti-normativity; heteronormativity;

    Sammanfattning : This essay explores how anti-normativity is achieved in Veronica Roth's novel Carve the Mark and uses Lois Lowry's The Giver and Ursula K Le Guin's The Left Hand of Darkness as points of comparison. It examines if Roth, Lowry, and Le Guin follow through with creating characters that are more than superficially queer by destabilizing gender and traditional attitudes towards identity markers. LÄS MER

  4. 4. Gender and Sexuality on Gethen : A Contemporary Analysis of Ursula K le Guin's The Left Hand of Darkness

    Uppsats för yrkesexamina på grundnivå, Karlstads universitet/Institutionen för språk, litteratur och interkultur (from 2013)

    Författare :Ellen Andersson; [2020]
    Nyckelord :gender; sexuality; Ursula K Le Guin; The Left Hand of Darkness; science fiction; kön; sexualitet; Ursula K Le Guin; Mörkrets Vänstra Hand; science fiction;

    Sammanfattning : Ursula K Le Guin wrote The Left Hand of Darkness (1969) because she wanted to explore the limitations of gender and sexuality in a way that reflected the ongoing epistemic changes in her society. She created the Gethenians, an ambisexual, androgynous species that live most of their life without an assigned sex, making their entire society lack the concept of gender. LÄS MER

  5. 5. EXPANDING NARRATIVE EMPATHY Exploring “Dynamic” Empathy in The Left Hand of Darkness

    Magister-uppsats, Göteborgs universitet/Institutionen för språk och litteraturer

    Författare :Brian Bell; [2019-09-04]
    Nyckelord :Narrative Empathy; Reader Immersion; Ursula K. Le Guin; Reader Immersion;

    Sammanfattning : Narrative empathy, the sharing of a feeling between a reader and characters, is often thought of as a 'static' phenomenon; either it is present, or not in a given story. Yet, on scrutiny, narrative empathy seems quite fluid, its connective strength ebbing and flowing throughout a story. LÄS MER