Sökning: "site-specific theatre"

Visar resultat 1 - 5 av 6 uppsatser innehållade orden site-specific theatre.

  1. 1. “Breaths of Joburg” – One Play, Multiple Perceptions : A Johannesburg Literary Site-Specific Theatre Pilot Project

    Magister-uppsats, Malmö universitet/Institutionen för konst, kultur och kommunikation (K3)

    Författare :Kerstin Tschernigg; [2023]
    Nyckelord :Communication; Communication for Development; South Africa; Johannesburg; Breaths of Joburg; Participatory Theatre; Perception Study;

    Sammanfattning : This thesis examines the perception of the city of Johannesburg through a participatory theatre pilot project titled “Breaths of Joburg”. It looks at how different stakeholders, such as the performance director, professional and student actors, as well as the writers who inspired the texts used as a basis for the theatre, the live audience as well as the social media audience perceived Johannesburg and whether their perceptions changed after experiencing the play. LÄS MER

  2. 2. Participatory Theatre as a Communication Tool for Development and Social Change in the City : A Case Study: The Johannesburg Literary Site-Specific Theatre Project

    Magister-uppsats, Malmö universitet/Institutionen för konst, kultur och kommunikation (K3)

    Författare :Patricia Calvo Garrido; [2023]
    Nyckelord :theatre; participatory theatre; participatory art; development; social change; city; urban; communication; communication for development;

    Sammanfattning : This research studies how participatory theatre (PT) as a communication tool can promote development and social change in the city. Using a project developed in Johannesburg (SA) that engages the city’s socio-spatial concerns through performance, the paper analyses the participatory creative process utilised and in which ways it opened a space for debate and critical thinking. LÄS MER

  3. 3. ARTivistic strategies

    Master-uppsats, Göteborgs universitet/Högskolan för scen och musik

    Författare :Annika Britt Lewis; [2021-04-01]
    Nyckelord :artivism; strategies; arenas; sites; performance; theatre; dance; art; activism; devising; contemporary; performance art; physical theatre; site specific; intervention; subversive; composition; methods; multidiciplinary; manuscript; omnipresence; hydra; multi-spacial; manifest; undercover; public space; tools; choreography; performance lecture; immersive; interactive;

    Sammanfattning : This is a reflection on contemporary performance work and it’s various strategies and methods in the interdisciplinary field of theatre, dance and performance art. Researching performative art in public space I’m posing the question; how can one develop new artistic strategies and arenas for dialog in and with our current society? By mapping my own practice and selected works, I emphasise the position of working outside of the theatre institutions and venues. LÄS MER

  4. 4. A CRITICAL WEDGE

    Master-uppsats, Göteborgs universitet/Högskolan för scen och musik

    Författare :Annikki Wahlöö; [2016-06-27]
    Nyckelord :liminality; participatory theatre; critical wedge; performance art; human specific theatre; immersivc theatree theatre; sensuous theatre; political theatre; performance art; performativity; multidisciplinary theatre; soundscape; spectator; site-specific theatre; performing art; text immersion; viewpoint training; social theatre; performative art;

    Sammanfattning : A critical wedge – is an exploration of the in-betweens within performing arts and how they can become gaps for questioning, a place for exploring alternatives. How juxtaposition can be a political tool when composing a performance. It all started with the interspace between reality and fiction, the authentic and fictional self. LÄS MER

  5. 5. If there was a formula to my artistic practice and method what would it look like and how could I use it?

    Master-uppsats, Göteborgs universitet/Högskolan för scen och musik

    Författare :Esperi Benedikte; [2016-06-16]
    Nyckelord :performance; public space; site-specific; choreography; contemporary; instant composition; improvisation; immersive theatre; multidisciplinary; aXiom; moving images; art-activism; oxymoron;

    Sammanfattning : Within the field of an ephemeral art genre, performance and improvisation, there is often a question about how one can grasp the knowledge of the now, the instant moment. By using a fictive formula, a principle, applied on an artistic practice in search of an aXiom, revealing the WHAT? HOW? and WHY? a temporary method to communicate content, keywords and standpoints occurred. LÄS MER