Sökning: "existential phenomenology"
Visar resultat 1 - 5 av 26 uppsatser innehållade orden existential phenomenology.
1. Att släppa taget : Om trötthet i psykoterapirummet
Master-uppsats, Södertörns högskola/Centrum för praktisk kunskapSammanfattning : Denna essä undersöker fenomenet trötthet som det framträder i psykoterapeutens yrkesutövning och tar stöd i filosofen Emmanuel Levinas tankar om trötthetens ögonblick som uppkomsten av ett varande i varat, och författaren Peter Handkes utforskande av en trötthet som öppnar sig mot världen. Kampen mot tröttheten, som den tidige Levinas beskriver, innebär gestaltandet av en existentiell fördömelse medan att släppa taget och bejaka tröttheten (Handke) utgör en möjlighet att möta världen utan själviska avsikter. LÄS MER
2. Jean-Paul Sartre och konsten: Bildfilosofi, Existentialism och Biografi i Sartres konstnärstexter om Alexander Calder, Alberto Giacometti, Robert Lapoujade och Tintoretto
Master-uppsats, Göteborgs universitet/Institutionen för litteratur, idéhistoria och religionSammanfattning : Sartre ́s writings about artists and their artistic works in the 1940s until the1960s seems to be related to his biographical writings about authors, his phenomenological philosophy of imagination based on Husserl ́s theories, his existential phi- losophy and to his personal biography. His main theory of the image explains the difference between the physical pain- ting on the wall and the imagined picture in the observer ́s consciousness. LÄS MER
3. Nuläget kommer inte att bestå : konstscenens framtid i ett föränderligt samhälle
Master-uppsats, Lunds universitet/Avdelningen för ABM, digitala kulturer samt förlags- och bokmarknadskunskapSammanfattning : What can we say about the future of art and the exhibition aspects of art? How are art institutions today co-creators in shaping conditions for the future, and how is the network of larger institutions connected to politics, as well as in the shaping of cultural heritage and the identity of a city? This essay examines how discourses for exhibitions are developed among three municipal institutions: Malmö konsthall, Malmö Kulturförvaltning and Malmö Konstmuseum. With Reader-response Theory, Interpretative Phenomenological Analysis as well as Comparative Analysis, the thesis’ qualitative approach aims to, alongside with the question of the network between the three institutions, examine if, and how, statements from representatives of municipal art institutions in Malmö are similar or dissimilar to statements from the representatives at art institutions in Sweden concerning the future of, and exhibition aspects of art. LÄS MER
4. Arkiv, levnadsberättelser och tillhörighet : En narrativ studie av det betydelsebärande i att använda arkiv
Master-uppsats, Uppsala universitet/Institutionen för ABMSammanfattning : The aim of this master’s thesis in archival science is to understand how four individuals’ use or creation of archival records affects the experience of social, cultural, and ethnic belongingness in time and space. The questions investigated are: 1) How do the individuals conceptualize the records' origin and how do this affect their interpretations of past and present time? 2) Which stories about belongingness appear when the individuals tell about the records and how do these relate to themselves and their surrounding world? 3) How can activation of the records related to places, persons, and relationships become meaningful? The study is a part of a poststructuralist tradition that focuses on microhistories, versatility, and changes. LÄS MER
5. Digital Existence in the Digital Theater : An Ethnographic, Transnational Study of Artistic Practices and Participation
Master-uppsats, Uppsala universitet/Medier och kommunikationSammanfattning : This thesis argues that the research problem, which describes a lack of a common understanding of the digital age, and what its major transformations mean for different stakeholders, can be fruitfully interrogated by attending to emergent forms of making sense in the digital theater. The aim of the study was met by raising and responding to the following research questions: How does the digital theater understand and experience digital existence in participatory potentials, and how do creatives in the digital theater bridge participatory intensities, the tensions and sometimes gaps between experienced reality and digital capabilities to expand on their own and their theaters’ participatory potential? The study combined a phenomenological approach, with an ethnographic method and narrative analysis, supported by a theoretical framework of existential media studies with a particular focus on digital existence, in combination with prospects for participation, using cultural participation theories. LÄS MER
