Sökning: "bildsemiotik"

Visar resultat 1 - 5 av 29 uppsatser innehållade ordet bildsemiotik.

  1. 1. Konstruerad utsatthet : En bildsemiotisk analys av Nathalie Djurbergs stop motion-filmer Greed och Cave

    Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Nora Cserhalmi; [2019]
    Nyckelord :Nathalie Djurberg; exposedness; male gaze; visual semiotics; denotative; connotative; sign; female representation; female bodies; construction; male sexual desire; Woman; Man.; Nathalie Djurberg; utsatthet; male gaze; manlig blick; bildsemiotik; denotation; konnotation; tecken; kvinnlig representation; kvinnliga kroppar; konstruktion; manlig sexuell lust; Kvinna; Man.;

    Sammanfattning : This essay aims to analyse how the exposedness is constructed in the Swedish contemporary artist Nathalie Djurberg’s two stop motion-films Greed and Cave. Five stills from Greed and three stills from Cave will be examined from a feminist perspective with a theoretical viewpoint based on theories from both art history and film studies. LÄS MER

  2. 2. Jag tänker på mig själv som en nakenakt : En studie av Marianne Lindberg De Geers skulptur Jag tänker på mig själv i relation till nakenakten som motivkategori

    Kandidat-uppsats, Uppsala universitet/Konstvetenskapliga institutionen

    Författare :Sofia Carnvik; [2019]
    Nyckelord :art history; female nude; semiotics; female bodies; deviant bodies; Marianne Lindberg De Geer; public sculpture; framing; the obscene body; anorectic bodies; emaciated bodies; fat bodies; gendering; bildsemiotik; offentlig skulptur; chockbild; nakenakt; Marianne Lindberg De Geer; representation;

    Sammanfattning : The aim of this thesis is to describe and analyze the Swedish artist Marianne Lindberg De Geer’s public sculpture Jag tänker på mig själv in relation to the female nude as a traditional motif within the western art and aesthetic. The artwork in question depicts two naked upright standing women, one of whom is represented as emaciated and skinny and the other one as voluminous and fat. LÄS MER

  3. 3. ”För den intresserade allmänheten” : En undersökning av hur tre specialsamlingar visas upp på Instagram

    Master-uppsats, Uppsala universitet/Institutionen för ABM

    Författare :Maria Zeito; [2019]
    Nyckelord :Social media; Web 2.0; Library 2.0; Instagram; Cultural heritage; Special collections; Research libraries; Accessibility; Visual culture; Visual communication; Visual semiotics; Sociala medier; webb 2.0; bibliotek 2.0; Instagram; kulturarv; specialsamlingar; forskningsbibliotek; tillgänglighet; visuell kultur; visuell kommunikation; bildsemiotik;

    Sammanfattning : The aim of this master’s thesis is to examine how social media, specifically Instagram, is utilized in three special collections libraries in Sweden. The intent is to understand why Instagram is a plausible platform for the purpose of showcasing the libraries’ cultural heritage collections, how this is done and who the target audience is. LÄS MER

  4. 4. SAMEBLOD (2017) - En visuell analys

    Kandidat-uppsats, Göteborgs universitet/Institutionen för kulturvetenskaper

    Författare :Julia Berg; [2018-04-23]
    Nyckelord :Sameblod; Semiotik; bildsemiotik; visuell kultur; rasism; förtryck; mening; filmtekniker;

    Sammanfattning : This thesis will examine how the oppression of the ethnic minority group saami visualizes in the movie Sami Blood (2017) and how the pictures in it transmit meaning. By using the method semiotic picture analyzis together with various cinema techniques like mise-en-scéne, cinemaography and cinema editing, have I examined the film-makers use of those techniques and what they signify. LÄS MER

  5. 5. "Hej hej Jonas!" : Selfier som reflexiva projekt i skapandet av självidenitet.

    Kandidat-uppsats, Linnéuniversitetet/Institutionen för musik och bild (MB)

    Författare :Victoria Jensen; [2018]
    Nyckelord :selfie; sociala medier; Instagram; bildsemiotik; Anthony Giddens; självidentitet; jaget; self-branding;

    Sammanfattning : As today’s most commonly used Self-portraits, this essay analyses the Selfie as a modern andvisual phenomenon which for its users contribute a reflexive project of the Self-Identity. Thepurpose of this paper was to systematical study specific features of the Selfie, according tovisual studies. LÄS MER