Sökning: "gender and class in film"

Visar resultat 1 - 5 av 22 uppsatser innehållade orden gender and class in film.

  1. 1. Inte grönt som i pengar utan grönt som i träsktroll : Klass och kön i filmen Shrek

    Kandidat-uppsats, Stockholms universitet/Genusvetenskap

    Författare :Emma Josefina Lindberg; [2023]
    Nyckelord :animering; film; Shrek; klass; kön; respektabilitet; könsstereotyp; tecken; betecknande; betecknade; sagofigur; intertextualitet;

    Sammanfattning : This essay examines class and gender in the movie Shrek from 2001. To examine class and gender, representations are of main interest. For the analysis Stuart Hall’s theories of representations and stereotypes, as well as Beverley Skeggs theory of respectability, have mainly been used. LÄS MER

  3. 2. ”Du skulle ta livet av dig. Du skulle det. Eller hur?” : Makt och maktlöshet i romanen Stöld utifrån en intersektionell analys med ett didaktiskt perspektiv

    Magister-uppsats, Linnéuniversitetet/Institutionen för film och litteratur (IFL); Linnéuniversitetet/Institutionen för svenska språket (SV)

    Författare :Johanna Adriansson; [2023]
    Nyckelord :Intersektionalitet; didaktiskt perspektiv; kön; klass; etnicitet; ålder; identitet; Stöld; svenskämnet; gymnasiet; Sápmi; minoritet; urfolk; nordisk kolonialism;

    Sammanfattning : The study aimed to investigate how power and powerlessness are created and portrayed in Ann-Helén Laestadius novel Stöld (2022) and what didactive implications the novel has for teaching at a high school level. Based on an intersectional perspective, it was analyzed when the axes of power gender, class ethnicity and age co-vary where power versus powerlessness occurs. LÄS MER

  4. 3. Edvard Persson and modernity

    Master-uppsats, Stockholms universitet/Filmvetenskap

    Författare :Tevin Stakston; [2022]
    Nyckelord :Edvard Persson; modernity; modernisation; Swedish film; 1930s; urbanisation; gender; antisemitism; national identity; class; capitalism; machines;

    Sammanfattning : In the field of Cinema studies recent and updated studies on Swedish 1930s cinema has been absent. The aim of this thesis is to provide new insights into the period by examining the films starring actor Edvard Persson released between 1930 and 1939. LÄS MER

  5. 4. Wandering Through Intellectual Ashes : National Identity and the Southern Question in Postwar Marxist Italian Film. A Postcolonial Visual Ontology

    Master-uppsats, Linköpings universitet/Institutionen för kultur och samhälle

    Författare :Matilde Veglia; [2022]
    Nyckelord :Pasolini; Gramsci; Bauman; Neorealism; Commedia all Italiana; Cinema; Italian Maxism; Postmodernity; Postcolonial Studies; The Wanderer; The Nomad;

    Sammanfattning : This thesis is crafted as an explorative theoretical essay, which aims to disclose the continuities and shifts in constructions of Italian post-war identity through the lenses of Marxist theory and postcolonial film analysis. The research will attempt to locate three paradigmatic cases of post-war Italian cinema and their authors in relation to the historical context, as well as coeval political and theoretical developments in the country. LÄS MER

  7. 5. "Nobody puts Baby in a corner" : an analysis of Dirty Dancing with a gender and class perspective

    L2-uppsats, Lunds universitet/Medie- och kommunikationsvetenskap; Lunds universitet/Institutionen för kommunikation och medier

    Författare :Signý Kristinsdóttir; Jósefine Karlsdottir; [2021]
    Nyckelord :Class; masculinity; popular culture; Hollywood; dance; Dirty Dancing; Social Sciences;

    Sammanfattning : This paper analyzes how Hollywood portrays gender and class in films through dance, more specifically in Emile Adrolino’s Dirty Dancing (1987). Due to the film’s immense popularity, it has become a cultural phenomenon and a part of the fabric of our society’s cultural context. LÄS MER